A Quote by Charlie Brooker
Youth fare aside, I have generally always been interested in what's going on culturally.
Related Quotes
I see something that seems like standard fare, that I can imagine any number of actors playing, and I'm generally not interested.
Travel is never a matter of money but of courage. I spent a large part of my youth traveling the world as a hippie. And what money did I have then? None. I barely had enough to pay for my fare. But I still consider those to have been the best years of my youth. The great lessons I learned has been precisely those that my journeys had taught me.
I've always been interested in cross-cultural exchange with the youth.
I remember being very affected by what was going on there towards the end of Apartheid. And the subject is still very pertinent, politically, to what's happening around the world today, in terms of negotiating peace talks. I had always been interested in this period of change in South Africa, generally, for a variety of reasons.
I've always been interested in photographing traditions and customs - especially in America. The prom is an American tradition, a rite of passage that has always been one of the most important rituals of American youth. It is a day in our lives that we never forget - a day full of hopes and dreams for our future.
I've always been interested in the news, but I've always been interested in what's popular. I've always had a little bit of a populist take on things. Which I know is interesting when you talk about Donald Trump.
I'm sure you find it fascinating. It's always interesting for everybody to look at people who've been pushed to the brink. You wonder how you would fare with that. Nobody's interested in somebody who doesn't ever really do anything. I don't have a choice in that. I will always go for those kinds of characters. Each one is a separate choice for me, but I think it's fairly natural to find yourself gravitating towards people who have done extraordinary things.
Politicians step up and say, "This is what were going to do: we're going to set aside 450 million dollars for a mentorship program for orphaned youth," and so on and so forth, and it sounds great in this romanticized vision of what these alleged leaders are going to do for the alleged meek. But it doesn't examine: why are these kids orphans?
I don't know really. I've always been interested in the small picture instead of the big one, and I've always been interested in relationship pictures.
I've always been a youth advocate. I mean, that's been my brand, reaching out to young people. All my life, when I've dealt with youth I'd be thinking back to my own experience. Now I look at my kids and think forward.
I've always been interested in the form itself, so I always feel like I've never been good at going ahead with the artifice and not acknowledging the self in the artistic process, and not acknowledging the absurdity of pretending that's required in fiction.
I don't think that I've ever really been interested in many other things aside from music and making art in general.
What we're losing culturally the fastest, aside from natural resources and oil and the idea of democracy and social justice, is the ability to concentrate.
Set aside a certain number of days, during which you shall be content with the scantiest and cheapest fare, with course and rough dress, saying to yourself the while: " Is this the condition that I feared?"
Dress codes and gestures and attitudes have always inspired me, as has youth culture in general, although now I question it more. If you analyze youth cultures over history, there has always been something strict about them - you have to be like this or like that.
You know, I've always been really interested in this stuff, and I'm going to read this.
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