Life is a tragedy when seen in close-up, but a comedy in long-shot.
Tragedy is a close-up; comedy, a long shot.
I feel my advantage of coming from a film family is - having seen fame up close, having seen the industry so close and how it works, I was not enamored by fame.
I have seen war. I have seen war on land and sea. I have seen blood running from the wounded. I have seen men coughing out their gassed lungs. I have seen the dead in the mud. I have seen cities destroyed. I have seen 200 limping, exhausted men come out of line—the survivors of a regiment of 1,000 that went forward 48 hours before. I have seen children starving. I have seen the agony of mothers and wives. I hate war.
When something drastic happens in our life, one person goes and hides and doesn't want to be seen. That's what I did. [Others] want to stand up and fight and think they're tough. Like if someone gets shot, you're either scared of guns or you think you're Superman. In my situation, I wanted to hide. I didn't want to be seen anymore.
I haven't seen 'The Exorcist,' but I've seen a lot of pictures of the girl in it. So now I don't actually want to see it. She scares me so much. I don't know what it is, but even though it's quite old now, it still has the best and scariest make-up I've ever seen in my life.
Well, for me, it's the relationship between comedy and life - that's the edge I live on, and maybe it's my protection against looking at the tragedy of it all. It's seeing life in balance. Comedy and tragedy co-exist. You can't have one without the other. I'm of the school that anything can be funny, if seen from a comedic point of view.
I've seen lights in the sky, I've seen UFOs, I've even seen something on the ground that I can't explain, but I've never actually seen a being. I wish I had.
Beyond the deepest tragedy there is laughter; even in the midst of tragedy there is always the possibility for laughter.
He who has seen one cathedral ten times has seen something; he who has seen ten cathedrals once has seen but little; and he who has spent half an hour in each of a hundred cathedrals has seen nothing at all.
I’ve seen your foot up close.” Curran pointed to his chest. “I’ve seen it here.” He moved his hand to his jaw. “Here.” He touched the place over his cheek where my kick had cut him. “And here.
When you cut from a long shot to a close shot, you're doing it for a reason, or if you let something stay in long shot for a long take. On the short films, I was teaching myself how to express something personal cinematically, how to use the language of film the best I could.
I'm not a big fan of shooting something that looks like it could belong in any movie. I'm not a fan of, okay, 'wide shot, wide shot, medium shot, close-up, close-up - we'll figure it out in post.' I hate that.
Cicero is dead! Cicero is born! The laughter has filled me, filled me so very completely. I am the laughter. I am the jester. The soul that has served as my constant companion for so long has breached the veil of the Void finally and forever. It is now in me. It is me. The world has seen the last of Cicero the man. Behold Cicero, Fool of Hearts - laughter incarnate!
I've seen him be successful throwing the football his sophomore year, I've seen that. I've seen him react through adversity, I have seen that. I'd never seen him react to a new system because we didn't have one. I'd say that'd be the most impressive thing.
I have seen and heard comedians who had really funny 'stuff' but yet could not make the people laugh; then, again - I have seen others whose stuff was anything but humorous, and the audience would howl with laughter.