A Quote by Charlie Chaplin
In the creation of comedy, it is paradoxical that tragedy stimulates the spirit of ridicule; because ridicule, I suppose is an attitude of defiance: we must laugh in the face of our helplessness against the forces of nature - or go insane
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We must laugh in the face of our helplessness against the forces of nature, or go insane.
Charlie Chaplin said something to the effect that humor is an act of defiance, that we must laugh in the face of our helplessness in the forces of nature or go insane. And where is he now? Dead.
Ridicule is also a weapon against forces of evil. Really clever, intelligent ridicule.
Comedy is an intellectual affair, and deals chiefly with logic. Tragedy is an emotional affair, and deals chiefly with value. Horace Walpole once said that "life is a comedy to the man who thinks and a tragedy to the man who feels." Comedy is negative; it is a criticism of limitations and an unwillingness to accept them. Tragedy is positive; it is an uncritical acceptance of the positive content of that which is delimited. Since comedy deals with the limitations of actual situations and tragedy with their positive content, comedy must ridicule and tragedy must endorse.
No God and no religion can survive ridicule. No political church, no nobility, no royalty or other fraud, can face ridicule in a fair field, and live.
Suppose that a person writes what she must. That is only the first step of becoming a writer. The work must survive the moment of creation. It must get out to an audience. She or he must dare to show the work. She must risk ridicule, misunderstanding, scandal, condemnation, & what's often worse, none of the above: silence. No attention at all.
I think you can make fun of anything except things people can't help. They can't help their race or their sex or their age, so you ridicule their pretension or their ego instead. You can ridicule ideas - ideas don't have feelings. You can ridicule an idea that someone holds without hurting them.
Tragedy massages the human ego even as comedy deflates it. ... Tragedy pits us against large foes and the trip wire is our own character. ... In comedy we fall afoul of one another. Comedy depends on social life, on our behavior in groups. In tragedy you can observe one human against the gods. In comedy it's one human versus other humans and often one man (or woman if I'm writing it) against her own worst impulses.
There's comedy in tragedy, and tragedy in comedy. There's always light and dark in most jobs. Whether it's framed as a comedy, drama or tragedy, you try to mix it up within that. You can work on a comedy and it's not laugh-a-minute off set. You can work on a tragedy that's absolutely hilarious.
The basis of tragedy is man's helplessness against disease, war and death; the basis of comedy is man's helplessness against vanity (the vanity of love, greed, lust, power).
Ridicule has always been the enemy of enthusiasm, and the only worthy opponent to ridicule is success.
To place your dreams before the crowd is to risk ridicule. To go forward in the face of overwhelming odds is to risk failure. But risks must be taken because the greatest hazard of life is to risk nothing.
We must be on our guard against giving interpretations which are hazardous or opposed to science, and so exposing the word of God to the ridicule of unbelievers.
True devotion must not get dispirited; nor elated or satisfied with lesser gains; it must fight against failure, loss, calumny, calamity, ridicule and against egoism and pride , impatience and cowardice .
Ridicule is man's most potent weapon. It is almost impossible to counterattack ridicule. Also it infuriates the opposition, who then react to your advantage.
There is no character, howsoever good and fine, but it can be destroyed by ridicule, howsoever poor and witless. Observe the ass, for instance: his character is about perfect, he is the choicest spirit among all the humbler animals, yet see what ridicule has brought him to. Instead of feeling complimented when we are called an ass, we are left in doubt.
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