A Quote by Charlie Cox

I love those moments in any movie or film where there's a reference to a bigger picture, especially in Marvel where everything is connected. — © Charlie Cox
I love those moments in any movie or film where there's a reference to a bigger picture, especially in Marvel where everything is connected.
I'm not going to head off and do a Marvel film. So if I don't do a Marvel film, I don't have any other choice - I've got to go make a small New Zealand movie!
Every film that gets made, and I'm not just talking about 'Star Wars,' I'm talking about Marvel, DC, every tent pole film - they seem to just keep getting bigger and bigger and bigger and bigger. The worlds get bigger, the stakes get bigger.
I think those moments in Patti's [Smith] bedroom really helped the film [Dream of Life] out, and those moments existed because of the trust between us. There isn't any real self-consciousness in the film because we all like each other.
I am a micromanager, and I love being involved in every detail of my life, but in the big picture, you realize how little control you have. 'Air I Breathe' is about those moments of surrender where you get to something that is bigger than you, and you don't have answers for it.
It's weird when one movie that's connected to another doesn't reference that movie at all.
I find it difficult to write with reference to the most memorable moments in film, when for me the best moments in films are truly irreducible.
The difference between this film [Your highness] and Pineapple Express was pretty much in the logistics of the technical ambition of the movie, and the size and scope of the movie. Pineapple Express was a great success, and that was something that we wanted to capitalize on, but we wanted this movie to be bigger, more adventuresome, bring a bigger audience to the movie, and challenge ourselves to do something new.
I don't seem to have any real strategy or pattern when it comes to love... At times I've been really guarded and careful and afraid to trust someone. But other times, you want to jump in headfirst. I've had moments of thinking, this is who I love and I don't care what anyone says. Those moments are beautiful and wild and exciting, but I've learned that those moments can end up hurting you in the end. I've been careful in love. I've been careless in love. And I've had adventures I wouldn't trade for anything.
I'm definitely a big believer in the notion that a heightened style can get you closer to an authentic human experience than so-called realism on film. There are films I love that have kind of a muted or realistic style, but for me on any given day I have more moments during the course of a day that feel like a Fellini movie than I do a Cassavettes movie.
It's those moments when everything is on the line, and someone needs to show up in a big moment. I prepare my mind and I prepare my body to be ready for those moments. And I think it's just what I do. I live for those moments.
Black Panther is a great film'. It has the most compelling villain of any Marvel movie, and it deals admirably with the issue of diminishing jeopardy in a million superhero films where the world is going to end.
I love comedy. It's something that I think Marvel does so well, and it's one of the reasons I love Marvel so much is the quips that you get: that kind of underlying everything and cutting through the very heavy emotional stuff.
I started working as a movie writer and a movie producer... all the way back to 'Teen Wolf' and 'Commando.' All of those experiences, plus working both at DC and at Marvel - each of those things are bricks in the wall.
In almost every book I've written, there is a reference to a movie - legendary films, actors and actresses, and forgotten made-for-TV movies. The leaps poems make are not unlike the cuts in a film. The miniature and avant-garde prose poets have perhaps the most obvious ties to film, as a prose poem in its shape is not unlike a movie screen.
When the rich build bigger, they shift the frame of reference that shapes the demands of the near rich, who travel in the same social circles. Perhaps it's now the custom in those circles to host your daughter's wedding reception at home rather than in a hotel or country club. So the near rich feel they too need a house with a ballroom. And when they build bigger, they shift the frame of reference for the group just below them, and so on, all the way down.
It's not about getting WrestleMania moments for me, it's about making TakeOver moments bigger and bigger and bigger.
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