A Quote by Charlie Daniels

I don't want to be without God's blessings. If it's inconvenient, then it's just inconvenient. If somebody don't like it, then somebody just don't like it. That is part of me. That's who I am.
As an actor, I feel like I'm somebody who, when somebody gives me a mark, I don't want to hit it. I don't like that. But then, without even knowing it, I just hit it.
Poor slob without a name. It's a little inconvenient, his not having a name. But I haven't the right to give him one: he'll have to wait until he belongs to somebody. We just sort of took up by the river one day, we don't belong to each other: he's an independent, and so am I. I don't want to own anything until I know I've found the place where me and things belong together.
I just feel like people like a little break. Especially at 12:37 at night, you go, like, 'I'm just tired of the snarky right now. I just want to lie down and have somebody make me laugh for an hour. Entertain me, and then I'm going to sleep with a smile on my face.' That's my job; that's what I do.
I had identified discipline as a really important part of my life, in maintaining my sanity. It's kind of interesting when people don't know me and then get to know me and see just how workaholic I am and how unhappy I am when I don't have something to work on, or if I am not provided with the tools to be able to accomplish those things, like touring without my looping rig or without a piano, I'm just kind of like, 'Aahhh, what do I do with my day?' To me, that's just a large part of my sanity.
I am asexual. A-sexual. I read somewhere, maybe on Facebook, where somebody said something like, "I heard Bradford was gay, but then I heard he was bi." Then somebody wrote, "No, I heard he was asexual." And then somebody said, "That's bullshit - he totally hit on my friend after a show."
It's just that I don't want to be somebody's crush. If somebody likes me, I want them to like the real me, not what they think I am. And I don't want them to carry it around inside. I want them to show me, so I can feel it too.
So when somebody asks me to make a decision about a situation, I don't offer a solution, I ask a question: What are our options? Give me the good, give me the bad, give me the pretty, give me the ugly, give me the impossible, give me the possible, give me the convenient, give me the inconvenient. Give me the options. All I want are options. And once I have all the options before me, then I comfortably and confidently make my decision.
I want a human sermon. I don't care what Melchisedek, or Zerubbabel, or Kerenhappuk did, ages ago; I want to know what I am to do, and I want somebody besides a theological bookworm to tell me; somebody who is sometimes tempted and tried, and is not too dignified to own it; somebody like me, who is always sinning and repenting; somebody who is glad and sorry, and cries and laughs, and eats and drinks, and wants to fight when they are trodden on, and don't!
In my first meeting with somebody, I kind of say, "What are your expectations?" And there are some people who say, "I just want to be fair," so then we have to qualify what that means. But when somebody comes in and says, "I just want to nail him. I just want to exact as much punishment as I possibly can." Well, that might be a case where I say, "We may not be the right firm for you."
If you perform on a stage or you sing a song, it's like you sing your song, and then the words go into the air, and then they go into somebody's body through their ears, so it's kind of like penetrating somebody. It's kind of like having sex with somebody - but, obviously, from a great distance.
I am not somebody who just likes to run. I am a runner. This is the difference between a pastime and a passion. I like to play golf, but I am not a golfer. I like to cook, but I am not a chef. I don't just like to run. I am a runner. It is a passion. It is part of who I am and is woven into the fabric of my personality, character, and psyche.
You play with the audience, and they play back with you. They get into it, and then everybody gets into it. I don't want to be like a monkey on stage and just go through the motions because then it wouldn't be fun anymore. I just pay attention to the audience and appreciate the fact that somebody wants to see us. That gets me psyched.
Be scrupulously truthful, even if the truth is inconvenient, for it is more inconvenient when you try to conceal it.
I get a message from Stephen Falk saying, "Hey, if I wrote a part for you in You're The Worst, would you do it?" I was like, "Yes!" And then, of course, later I found out it's going to be me playing myself sort of Larry Sanders-style where I'm the total opposite of what people would expect me to be. I was just like, "Okay, what the hell." But it's really funny to portray me as somebody who is pretending to be a stoner just to succeed.
If you don't get offended by somebody scoring on you then I don't know what to tell you. That is like somebody breaking into your house and just taking your video game out of your hand and you just let it happen. I know if you do that to me, it ain't going to happen. I love my Xbox.
"I was just like a pathological liar when I was a kid. I think I just wanted to one-up somebody. Somebody would be like, 'Oh, God, my legs hurt.' I'd be like, 'Your legs hurt? I'm getting mine amputated next week.' And that's actually how my mother found out. She came to school and somebody was like, 'God, that's such a shame about Jennifer's legs.' She made me purge. I had to spill out all of my lies. I was like, 'I said that Dad drove a barge, and we were millionaires, and you were pregnant, I had to get my legs amputated, and I spayed cats and dogs on the weekends.' Now I can't lie.
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