A Quote by Charlie Day

Occasionally it can be a little disappointing to see rock gods in their 60s or 70s up on stage. — © Charlie Day
Occasionally it can be a little disappointing to see rock gods in their 60s or 70s up on stage.
I was a child of the '60s basically, which is a real blank. I really started growing up, I think, in the '70s. I'm a glam-rock kid. But Dublin, Ireland in those days was a very dark place, as in it was a very poor, almost third world. Economically, the whole world is going through a recession at the moment. In the '60s, '70s, and the '80s in Ireland was a real recession. It wasn't a pleasant place.
Rock bands were never newsworthy. In the '60s and '70s, rock bands weren't in the newspapers because they weren't considered mainstream; they wouldn't sell papers.
When I go to small races in Denmark, it's what I imagined what F1 would have been like back in the 60s and 70s. After the 70s it became a bit different. But 50s and 60s at least, people were only there because they love it.
People have a hard time going to a club and seeing this business tool on stage that's wholly indicative of everything that rock is not. Rock is not about sitting in an office setting up documents, yet they see someone on stage doing that.
The models for me were more the folk-rock singers of the '60s and '70s.
I am an old-school guitar player. I'm not an '80s-'90s sort of shredder who plays a million notes a minute. I am way more '60s-'70s kind of style, and I write very '60s-'70s.
I think many of the ideas that opened up in the '60s got implemented in the '70s and that certain minority voices that were not being heard in the '60s, like women and gay people, were being heard in the '70s. Black Civil Rights had also found its foothold, and those ideas were also very pertinent.
There's such an energy and emotion to rock music, which is a lot of the reason I go back to '60s and '70s bands and look at some of the fire they had.
I think the '60s was a great time for music, especially for rock and roll. It was the era of The Beatles, of The Stones, and then later on The Who and Zeppelin. But at one point in the '70s, it just kind of became... mellow.
I've really grown to love film, but I think occasionally you need to get up on a stage and see what's going on.
My favorite bands are Hank Williams Jr. and Led Zeppelin. When it's rock, it's '70s rock, and when it's country, it's '70s country. For me, it's the grit and dirt of music that I love so much.
I've been really into a light, bright playfulness that's been missing. I looked at these '60s and '70s photos of Jackie O. She went to Capri every summer, but she was always a little more playful, a little more colorful, than she was in 'normal' life. And it was exciting to see her a little bit "off duty." The colors are from awning stripe umbrellas, from a really clear ocean, and from ripe citrus.
When I began writing poems, it was in the late 60s and early 70s when the literary and cultural atmosphere was very much affected by what was going on in the world, which was, in succession, the civil rights movement, the antiwar movement, and the women's movement in the 60s, 70s, and into the early 80s. And all of those things affected me and affected my thinking, particularly the Vietnam War.
It was only later that I found out there was good '70s rock like the Raspberries and the Flaming Groovies. I always gravitated toward the '60s music more, though, like the Kinks, the Who and the Beatles, of course.
To my surprise, my 70s are nicer than my 60s and my 60s than my 50s, and I wouldn't wish my teens and 20s on my enemies.
In the late '60s and '70s, when feminism was on the up sweep, there was an awareness of things that we're losing again.
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