A Quote by Charlie Day

Sometimes even hearing a bad idea is a great way to get to a good idea. — © Charlie Day
Sometimes even hearing a bad idea is a great way to get to a good idea.
There's this famous observation that I totally believe: Great startup ideas are the ones that lie in the intersection of the Venn diagram of 'is a good idea' and 'looks like a bad idea.' So you want most people to think it's a bad idea and thus not compete with you until you get giant. But for it to secretly be good.
Sometimes confidence can lead you to accept the first decent idea instead of to really strive to even discard that and go for the ultimate great idea. So in a weird way, I think confidence is overrated sometimes.
[Photographer Julian Wasser] had this great idea that I should play chess naked with Marcel Duchamp and it seem to be such a great idea that it was just like the best idea I'd ever heard in my life. It was like a great idea. I mean, it was - Not only was it vengeance, it was art, and it was, like, a great idea. And even if it didn't get any vengeance, it would still turn out okay with me because, you know, I would be sort of immortalized.
If I hear Anna say something, and I completely misheard her say it, and she goes, 'That's not what I said, but that's a great idea.' Whose idea was it? It was nobody's idea. It came out of thin air, but it was a misunderstanding. That's really what's fun about having a partner to throw ideas off of. Sometimes you get those good accidents.
Even a bad idea executed is better than a good idea undone.
The only way to oppose a bad idea is to replace it with a good idea.
Whether or not regime change is a good idea or a bad idea. I don't think because I think the regime change was a bad idea it means that Hussein was necessarily a good idea.
It's hard to get a great idea sometimes. When you get a good one and you have a good script, you want to keep shepherding it to make it happen.
Ideas are nothing. They're irrelevant. If you think your idea is so important, you're doomed. The reality is if you don't like one idea, I've got 299 more. If I tell you my idea, and you can execute better against that idea than I can - great; I get to play a terrific game.
My children are 12, 12, 8, and 7, which is bad idea, bad idea, bad idea, bad idea, for mom going inside.
There's no love in my songs. There's just a lot of resentment. Just bad attitude. But that's intentional, that's what I like. I love the whole idea of Motown. Their idea was to sing how down on their luck they were, but the song implied hope that it would get better. I liked that idea, and I wanted to go even further with it.
The only difference between the failure of a great idea and the success of a medocre idea was the way in which the idea was communicated.
A manager can have a great idea but if the players don't understand it, or don't follow you, your idea doesn't have much use. On the other side, you can have a bad idea, but if the players are convinced it, and you transmit it well, it can work.
There are two things that have to happen before an idea catches on. One is that the idea should be good. The other is that it should fit in with the temper of the age. If it does not, even a good idea may well be passed by.
My advice is not to wait to be struck by an idea. If you're a writer, you sit down and damn well decide to have an idea. That's the way to get an idea.
You need to feel good about your life. Winning is a great idea, but you can get stuck in it too. It's just another way of looking at life, an idea. You need to renew yourself and your spirit.
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