A Quote by Charlie Day

Actors put ourselves in awkward positions all the time. — © Charlie Day
Actors put ourselves in awkward positions all the time.
I'm well aware that I have put my actors in difficult positions because of my vision, but when they see I work for the betterment of the product, they understand the pain I put them through.
So . . . middle school? Awkward.Having a hobby that's different from everyone else's? Awkward. Singing the national anthem on weekends instead of going to sleepovers? More awkward. Braces? Awkward. Gain a lot of weight before you hit the growth spurt? Awkward. Frizzy hair, don't embrace the curls yet? Awkward. Try to straighten it? Awkward!So many phases!
As actors, we want to challenges ourselves and put ourselves in different situations to see how we react and deliver a performance.
Actors take risks all the time. We put ourselves on the line. It is creative to be able to interpret someone's words and breathe life into them.
You must see yourself run the race over and over, time and time again. You must put yourself in critical positions and see how you would react in those positions before the race so when and if they do happen, the feedback is automatic.
There are no hopeless positions; there are only inferior positions that can be saved. There are no drawn positions; there are only equal ones in which you can play for a win. But at the same time, don't forget that there is no such thing as a won position in which it is impossible to lose.
I'm as awkward as it gets, dude, but I embrace the awkward! I embrace the awkward and make everyone else feel awkward
I think there are a lot of other actors that are just talented, it's just about this opportunity - it's just about when are we going to be put in those positions where we can shine.
The difference between working with actors that have put their time in the theater and just straight film and television actors is that you trust theater actors a lot more. You know that they're seriously more trained than anyone else because theater is the best place to grow as an actor.
I think what probably happens when you put two awkward/clunky people together is that their awkward/clunky world seems like a normal world.
Awe is not a very comfortable standpoint for many people... Hence, all about us today, we see avoidance of awe-by burying ourselves in materialist science, for example or in absolutist religious positions; or by locking ourselves into systems, whether corporate, familial, or consumerist; or by stupefying ourselves with drugs.
We all have found ourselves in awkward, embarrassing situations, often brought on by ourselves - thinking we are saying something clever, for example, when it turns out to sound really mean or stupid. Those are the kind of embarrassing situations that we could have avoided. "Welcome to the human race," is about the only comfort we can give ourselves.
We're interested by public personas and private personas, otherwise we wouldn't put on with actors rambling on with the same kind of stuff, over and over again, saying variations of the same thing. I'm always amazed by how fascinated people still are by actors because it's the same version of events that actors describe, all the time.
I think that whatever we express in terms of the potential truth is above all else about mobilizing ourselves for ourselves. We learn about ourselves as individuals. Identification with Palestine is universal and not restricted to geographic boundaries. It's a question of moral and ethical positions vis-à-vis all the injustices that surround us.
I don't want to let ourselves down, so we put extra time, extra effort into every single thing we put out. I think that's why it takes a bit of time for us, but we really want to perfect the quality of the stuff we put out, so we can be represented to the world as a K-pop group.
I felt like I wasn't doing justice to either side of my life. It wasn't pronounced. Publicity is an awkward thing to do. It is awkward to call people up all the time and ask them for things on a very basic level.
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