A Quote by Charlie Day
My parents are more likely to know who Franz Liszt is than Snooki.
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Parents always make their worst mistakes with their oldest children. That's when parents know the least and care the most, so they're more likely to be wrong and also more likely to insist that they're right.
Beginning in the nineteenth century, with performers like Franz Liszt, were musicians who were able to excite an audience and communicate on a whole new level.
Andrew said you were the best person he ever knew." "He reached that conclusion before he saw me raise three barbarian children to adulthood. I understand your mother has six." "Right." "And you're the oldest." "Yes." "That's too bad. Parents always make their worst mistakes with the oldest children. That's when parents know the least and care the most, so they're more likely to be wrong and also more likely to insist that they're right.
Parents who are stressed or disturbed will have more difficulty in meeting their children's needs. Parents who have little support--from friends, relatives, neighbors, or the community--are more likely to be overburdened by the demands of their babies and to be unable to respond to them adequately. Parents who experience severe poverty or economic insecurity, who cannot satisfy their own basic needs, are likely to have difficulty in responding to their children's needs.
Today, Lan Lan is one of my favourite classical pianists.... Years ago I had a great admiration for Arthur Rubinstein but I have no doubt that Franz Liszt and Frederic Chopin were also fantastic piano players - though there is no way to listen to them when they were performing.
The point is that families today are spending their money no more foolishly than their parents did. And yet they're five times more likely to go bankrupt, and three times more likely to lose their homes. Families are going broke on the basics - housing, health insurance, and education. These are the kind of bills that you can't just trim around the edges in the event of a downturn.
The idea of some kind of objectively constant, universal literary value is seductive. It feels real. It feels like a stone cold fact that In Search of Lost Time, by Marcel Proust, is better than A Shore Thing, by Snooki. And it may be; Snooki definitely has more one-star reviews on Amazon. But if literary value is real, no one seems to be able to locate it or define it very well. We're increasingly adrift in a grey void of aesthetic relativism.
It's more likely in America that your parents will file for bankruptcy than divorce. We think of divorce as so prevalent, but we all know that happens because somebody moves out of the house.
My mother had to explain that one couldnt compose a Liszt rhapsody because it was a piece of music that Liszt himself had composed.
Colleges prefer to enroll wealthy students because they know it's more likely that they'll pay for full tuition without needing financial aid. They're also more likely to have parents who will donate large sums of money to the school. When the privileged students graduate, they're expected to join the alumni association and also donate cash.
Parents are much more likely to be attuned to what they don't like than they are to the expectations that the kid is having difficulty meeting.
Democracy is nothing more than an experiment in government, more likely to succeed in a new soil, but likely to be tried in all soils, which must stand or fall on its own merits as others have done before it. For there is no trick of perpetual motion in politics any more than in mechanics.
I'm with my friends more than I'm with my parents, but I know more about my parents than I know about my friends. That's something you get out of living with a person.
People who graduate are more resilient financially, and they weather economic downturns better than people who don't graduate. And, throughout their lives, people who graduate are more likely to be economically secure, more likely to be healthy, and more likely to live longer. Face it: A college degree puts a lot in your corner.
Before the 20th century, to be a successful musician was merely to be one who was employed. A few, such as Liszt, Paderewski and several singers, had phenomenally lucrative careers, but they were rare - and Liszt gave all of his money away, travelling by choice in a third-class rail carriage.
Before Liszt, a conductor was someone who just facilitated the performance, who would keep people together or beat the time, indicate the entries. After Liszt, that was no longer the case; a conductor was someone who shaped the music in an intense musical way, who played the orchestra as an instrument.
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