A Quote by Charlie Haden
I used to listen to a lot of Bach on the radio, and when the basses started to sing, it made everything complete - it made it all make sense.
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My dad grew up in Pittsburgh in the '50s, and he used to sing Four Seasons songs on the stoop. He made me listen to Cousin Brucie - the guy who broke the Four Seasons on the radio. So I knew all of their songs, but I didn't know they were all by the same group.
Perfect love was that kind of love that made no sense but made everything else make sense somehow. It was raw and unscripted, turbulent and slightly unpredictable.
'Boneless,' even though we were thinking about servicing it to radio, it made more sense putting a vocal on there. This was actually the first time that I really looked at doing a song for radio and kind of let go of some control and listened to a lot of different radio pluggers and had Ultra come in and help out with ideas.
I remember being obsessed with 'The Score' by The Fugees. I used to listen to a lot of really melodic music with a lot of harmonies. The Beach Boys used to make me happy, and Simon and Garfunkel, and I used to listen to a lot of film soundtracks as well.
While a lot of hip-hop was inspired by jazz or James Brown samples and was made to be played live in the clubs, I made hip-hop that was made for MCs to eat the mic up. It was an aggressive form of hip-hop. It was made just for hip-hop. It's not made to sing or dance to, though you can if you want.
There's a moment for everybody when you look at that picture of Jesus in the church and think, 'This doesn't totally make sense.' If God made everything, then who made God? We have no idea.
Listen, everything I did in my childhood was competitive. Everything we did my dad made it into a game to win. We used to drive my mum nuts.
I used to be much heavier when I first started out acting and did a lot of crash dieting and a lot of crash exercise - a ton for a month before you burned out. Then I made a decision in my twenties to only do things that I can do for life, so everything's kind of in moderation for me.
When I looked at you, my life made sense. Even the bad things made sense. They were necessary to make you possible.
The gods weave misfortunes for men, so that the generations to come will have something to sing about.” Mallarmé repeats, less beautifully, what Homer said; “tout aboutit en un livre,” everything ends up in a book. The Greeks speak of generations that will sing; Mallarmé speaks of an object, of a thing among things, a book. But the idea is the same; the idea that we are made for art, we are made for memory, we are made for poetry, or perhaps we are made for oblivion. But something remains, and that something is history or poetry, which are not essentially different.
When I first saw Destiny's Child, I was in the fifth grade, and it made me want to sing and make music and there would be these freestyles on the radio for what seemed like hours, it was just so cool to me. So all of these influences and these styles started to blend together. Eventually, that evolved into me finding the indie scene in Houston. When I was 19, I joined a rock band, and that's when I began to say, "Okay, this is something that I could take seriously."
Art used to be made in the name of faith. We made cathedrals, we made stained-glass windows, we made murals.
Mum prayed to the Lord that when her children were born they wouldn't be tone deaf. Mum says at two years old I was singing my own little songs, she didn't know where I'd heard it so I must have made it up. I used to sing along with the radio.
And I started with this: I have not painted at all my childhood. In fact, I never painted. But I helped my father who was a house painter and decorative painter. He made stage sets, he made glass paintings, he made everything.
When I first saw Destiny's Child, I was in the fifth grade, and it made me want to sing and make music, and there would be these freestyles on the radio for what seemed like hours; it was just so cool to me.
I listen to NPR when I listen to the radio, but I don't listen to the radio that much. You know, I listen to Garrison Keillor, I listen to 'Prairie Home Companion.'
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