A Quote by Charlie Haden

I've got a collection of songs that I've had, I keep adding to and they're all great American composers. I wanted to showcase American composers and I've done that on a lot of my records and played things by American composers that I really respect.
Well, American composers are the best composers. At this time in the world, we are where the energy is. We are the most diverse, the most iconoclastic, the most maverick, and the most skillful.
Copland was one of the first American composers to forge a truly modern style of American classical music while also making use of American popular music - including jazz.
Composers can do things that weren't allowed in the 17th century. Until we had composers like Igor Stravinsky and Sergei Rachmaninoff to break the rules.
I have to say I owe my career to the master composers of the Great American Songbook who have written such high-quality songs - the best popular music ever composed.
For many years, I've always been attached to what they call the Great American Songbook, and Kern was a great leader of that because he had the classical training of Europe. He impressed all the greatest composers, like Cole Porter and Gershwin. They couldn't believe he was writing the songs he was writing.
Communists love to make films about composers, because composers compose music and don't talk subversive things.
Communists love to make films about composers because composers compose music and don't talk subversive things.
Still, American composers working in France have had a pretty hard time.
New Amsterdam Records, a new label run by composers, has begun documenting this hybrid music, with invigorating discs by the band itsnotyouitsme and the composers Corey Dargel and William Brittelle.
I think that live shows are more important for singers than composers, because composers still get a lot of recognition as compared to a singer.
There was this kind of dictatorship of the Darmstadt school, composers like Boulez and Stockhausen, who were very strict and orthodox. They would not allow other composers to write the music they wanted to write, and only a certain kind of music could be played.
The MTC is known for singing music by great master composers, hymns, American music, Broadway numbers, popular songs, and inspirational music. If the audience doesn't like one genre, they need only wait for the next number.
The first year I started in San Francisco, there was an American work on every program and there's been a lot of music by living composers and gradually that was part of the process of getting the audience really to trust me.
Composers dialogue - and obsessively, bitterly argue - with other composers, often over the span of several centuries.
The great composers I worked with along the way, I always felt they were filmmakers more than composers. They would talk about the story rather than the music.
I think the Rock and Roll Hall of Fame, first of all, has got to be put into the context of being an American cultural showcase. It's there to be a museum showcase of all that's great about American music.
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