A Quote by Charlie Haden
Hoover's Music Store in Springfield, Missouri - I would listen to records there for hours.
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One of the things my mom used to do - I don't know why she chose me, but she chose me out of her six children to take to the African-American church that was in the town that we lived in Springfield, Missouri. And we would go to the church, and we would sit in the back row, and we would listen to all of the spirituals in the hymns.
I'll take two months off just to listen to records and not do any music so I can absorb all that and then when I go do my music. It's all in me. I'll listen to a different genre every two days or something, study it, 24 hours straight.
Not to be rude to my sisters, but I don't listen to drag music. I listen to everything from punk to Italo disco to Appalachian country music, but I don't know what their records sound like. I hardly listen to my own records. I'm like Cher!
If you listen to really deep ambient records that don't move too much, very still records, long after those records are finished, you might find yourself listening for hours to the sound of the room.
I loved music. Music was a big thing and so I started collecting records. I had a large collection of jazz records and that was something else I used to listen to. At night, there was a - what the heck was his name? There was a famous - Jazzbo Collins, I used to listen to at night, and some other guys.
My dad would play me all of these records: Miles Davis records, John Coltrane records, Bill Evans records, a lot of jazz records. My first exposure to music was listening to jazz records.
My music has always been sort of in-between categories. Sometimes record stores - back when there were record stores - they'd put my records in the country music section, but other record stores would put my records in the pop or even the rock section. As long as it's in the store somewhere, I'm OK with it.
My music has always been sort of in between categories. Sometimes record stores - back when there were record stores - they'd put my records in the country music section, but other record stores would put my records in the pop or even the rock section. As long as it's in the store somewhere, I'm OK with it.
I do have a collection of mid-century, small-press science fiction and fantasy hardcovers that is my most focused and dedicated collection. Everything else I tend more to acquire or amass than collect. I have vinyl records I listen to all the time when I work. But I don’t collect records. I just buy records where the price seems right and it’s music I actually listen to.
I got a naughty thrill out of listening to music that was that dirty, especially being that young and able to listen to it around my parents. Kids would come over to my house to listen to Too $hort records.
When you are studying jazz, the best thing to do is listen to records or listen to live music. It isn't as though you go to a teacher. You just listen as much as you can and absorb everything.
If you really listen to my music my music is more like stories than party records. I never made party records.
When I was a little kid we moved to Tulsa, then to St. Louis and, by the time I was in kindergarten, we lived in Springfield, Missouri. There I basically grew up.
To be honest, because there's loud music in my ears probably three hours a day, between sound check and the show, I listen to podcasts more than I listen to music on the road.
I realize that people won't even download the entire album and might just download a song or two and put it in a playlist for a workout or in the background while people do dishes. That's fine and I can't dictate how people listen to my music, but I structure records the way I listen to records.
I sometimes listen to music I made and find it to be something I wouldn't want to buy from a store, if there was a store. When it's like that, you have to make what you want to hear.
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