A Quote by Charlie Haden

My family influenced me very deeply because my dad came from a musical background, from the hillbilly music part of it, and all that music came over from Scotland and Ireland and England in to the Appalachian Mountains and Ozark Mountains, where I was raised.
I know there's some kind of history to mountain music-like it came from Ireland or England or Scotland and we kept up the tradition.
Before I had studied Zen for thirty years, I saw mountains as mountains, and waters as waters. When I arrived at a more intimate knowledge, I came to the point where I saw that mountains are not mountains, and waters are not waters. But now that I have got its very substance I am at rest. For it's just that I see mountains once again as mountains, and waters once again as waters.
Before practicing meditation, we see that mountains are mountains. When we start to practice, we see that mountains are no longer mountains. After practicing a while, we see that mountains are again mountains. Now the mountains are very free. Our mind is still with the mountains, but it is no longer bound to anything.
Ireland and America, music-wise, are very closely related. The Irish came over with their fiddles in hand, and you can hear it in the bluegrass and rockabilly. I love it when music from different countries combine.
I think I was just lucky to be brought up in a very musical family. My two older brothers were, and still are, very musical and very creative, and music was a big part of my life from a very young age, so it is quite natural for me to become involved in music in the way that I did.
Homesickness is a great teacher. It taught me, during an endless rainy fall, that I came from the arid lands, and like where I came from. I was used to dry clarity and sharpness in the air. I was used to horizons that either lifted into jagged ranges or rimmed the geometrical circle of the flat world. I was used to seeing a long way. I was used to earth colors--tan, rusty red, toned white--and the endless green of Iowa offended me. I was used to a sun that came up over mountains and went down behind other mountains. I missed the color and smell of sagebrush, and the sight of bare ground.
Most of the songs came from Europe and Africa and now they were coming back to us. Many of [Bob] Dylan's best songs came from Scotland, Ireland or England. It was a sort of cultural exchange.
I just love Cape Breton fiddling! I think it's very close. They derive their music from Scottish music. Well, in Donegal we're very influenced by Scottish music as well. Independently the two areas became very alike, because they kind of changed the music a bit from Scotland and we did the same.
Because Scotland and Northern Ireland want to remain part of the E.U., there is the quite real possibility that Scotland and even Northern Ireland might now choose to go their own way on membership within the E.U. and the 'United Kingdom' would suddenly effectively be only England and Wales.
All my musical influences came from my mom, who did everything to music. She played it 24 hours a day, seven days a week in our house. So that's where my love for music came from.
The Gaelic League is founded not upon hatred of England, but upon love of Ireland. Hatred is a negative passion; it is powerful - a very powerful destroyer; but it is useless for building up. Love, on the other hand, is like faith; it can move mountains, and faith, we have mountains to move.
When I started I didn't know anything about music. I came from an absolutely non-musical, non-artistic background.
I remember my dad came from Ireland and Scotland, and so he carried with him the fear of poverty. So when I wanted to break loose, it kind of made him very nervous.
In Ireland we have a very old saying, When you can see the mountains it's going to rain and when you can't see the mountains it's raining.
Music is what is going to save me," "On the bad days, when I have to look at the cold, hard facts of life, I see that this is not the music business I came up in and I have to be very, very objective and detached and say, 'what's good about it and what's bad about it?' Mostly, I'm finding it good that it's not the same old music business, because the music business I came up in really didn't advance anything I was doing, and I don't think it was particularly kind to a lot of artists.
Music is a very integral part of my life because I was born into a musical family, and it's not just a passion... it's everything for me.
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