A Quote by Charlie Heaton

I seem to have the best onscreen mums. — © Charlie Heaton
I seem to have the best onscreen mums.

Quote Topics

When it comes to babies and children and being a mother, there is so much to talk about. There are products that I keep discovering - endless products! People love to read about these things. And I interview cool mothers, mums with babies, and mums with teenagers... all mums who I admire.
Stay-at-home mums love working mums to feel guilty. They sacrificed everything for their children.
I take my hat off to working mums and especially single working mums. I honestly don't know how they do it.
Working mums and stay-at-home mums get a tough time. You're damned if you do and damned if you son't. You just have to do what's right for you and not listen to what the mummy brigade say.
I think, now that I am a mother, I look at other mums like Jo Pavey and just mums that go back to work and work incredibly hard, and I have so much admiration and appreciation for how hard it is.
I only know how to play bad mums because they're the best parts.
'Jai Lava Kusa' is my best look onscreen.
I've always produced content that is PG - free from profanities and swearing - because I know I have a bunch of young kids who watch it. I meet mums all the time, and they're always very grateful because they know their child is watching and I'm not going to be influencing them negatively. Big up the mums, man.
On 'Catfish,' I'm a co-host and onscreen cameraman, maybe the second onscreen cameraman after Wes Bentley's turn in 'American Beauty,' which is funny and ironic. But before that, I'd been doing a lot of creative nonfiction.
I think it is easier to hear my voice than see myself onscreen, particularly as the years progress. Watching myself onscreen becomes less and less enthralling.
I have to say, I have to tell you that my kids had a most marvelous time having two moms. When my daughter was at university, she got flu. And both mums rushed to be with her. And we were both looking after her and making soup and tidying up. And one of her friends came in and went, 'Two mums? Not fair.'
You study all your life, you work really hard to do your best work onstage and onscreen, and then you make your best money playing an ant.
Mums ask me how to get their husbands off the couch as well as asking me to marry them. But kids ask me to get their mums and dads to play with them more as well.
if your subject is an actor, he or she will also be shorter in person than they appear onscreen. This, also, you must keep to yourself. Even if you think you are giving their lack of height a positive spin, you aren't. 'You always seem larger than life in photos, but it's nice to see that in person you're just like us' might seem like a compliment, but what a star hears is 'You're stumpy, and you will lose jobs to taller people.
When that character and the X-Force appeared, they took the comic world by storm. You have to look at those numbers. And you see that that isn't Rob Liefeld's only creation. There's all these other things, like Cable and Domino. There's so many things that actually could be fascinating onscreen and unlike anything you've ever seen before onscreen. So I think Fox is in a really nice position where they've got something that feels as wide and different as the Marvel Universe.
In general, in all my films, I choose to create a certain mistrust, rather than claiming that what I'm showing onscreen is an accurate reproduction of reality. I want people to question what they are seeing onscreen. In the same way as I used the narrator, I also used black and white, because it creates a distance toward what's being seen. I see the film as an artifact rather than a reliable reconstruction of a reality that we cannot know.
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