A Quote by Charlie Hunnam

I'm reading scripts, desperately wanting to work. I've set a couple of things up for next year — © Charlie Hunnam
I'm reading scripts, desperately wanting to work. I've set a couple of things up for next year
I'm reading scripts, desperately wanting to work. I've set a couple of things up for next year.
When I was young, there was no such thing as YA. You simply went from reading children's novels to reading adult novels. So one year, I was reading Tove Jansson, and the next year, I was reading Stephen King.
It's unusual when you get scripts not wanting to change things - I'm one of those actors who writers must hate as I'm always wanting to rewrite or swap bits about.
I don't really have a structured path of wanting to say, "This is what I'll do next." I'm just going to read a bunch of scripts and see which one I love. There are so many things I would love to play, in all different genres.
I don't really have a structured path of wanting to say, 'This is what I'll do next.' I'm just going to read a bunch of scripts and see which one I love. There are so many things I would love to play, in all different genres.
The one thing you know when you're shooting a script - and I've been on a lot of sets - is space is in a script, and the distance between the page and the stage is so enormous that it is unbelievable how even the brightest people can misread your intent or not see it altogether. Scripts have air in them. Scripts are supposed to leave things up to interpretation, but people can misread things enormously, so sometimes it's just a matter of wanting to put on the screen what you had in mind.
I made a film about adolescence and what going through it is like for a specific group of girls. Adolescence is always about wanting desperately to be individuals, and also about wanting desperately to fit in. For every teenager it's about finding that balance.
I'm terrible at reading scripts. I love to read, and I hate reading scripts.
My dad couldn't connect to my wanting to be a filmmaker. He was very connected in entertainment, and through him I met Steven Spielberg and got rides on his private plane to California. I'd see Spielberg's people reading scripts. I was like, 'That's what I want to be when I grow up.'
I haven't been out in the marketplace in a while. I'm thinking about going back into it. I've got some things set up over the next couple of months just to go and see. But I have no idea what the specific way to a solution is anymore. It's mysterious to me.
I was reading scripts, doing coverage, for CAA. Reading hundreds and hundreds of scripts across the board, from blind submissions to 'Brokeback Mountain'. It was not always a pleasant task but something, in hindsight, I'm glad I did.
I'm kind of a nerd when it comes to literature and theory. I wish I could have more of that in life, but I don't because I'm always reading scripts or things to prepare for movies when I'm reading.
Different kind of cinema is being created, people are coming up with different kind of scripts, they are able to come up with scripts that work with the audiences and also scripts which will have something to say to the audience, which is a heart-warming thing.
People will set a New Year's resolution: "I'm gonna get in shape this year." But they don't set a parameter for how they're gonna measure it. Or if they do measure it, they wait until the first day of the next year. You'd never run a business that way. Document your progress.
My routine while filming a movie is so basic: wake up, work, shower, sleep. I try to cut all the things that aren't absolutely imperative, so I can be 100 percent when I get to set the next day. I just feel and work better that way.
I've been in situations where I've been sent scripts to direct, and I always end up becoming very controlling and wanting to rewrite it to fit what I think it should say, and it just usually doesn't work.
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