A Quote by Charlie Hunnam

I was a slightly melancholy child and I think films were a way of escaping for me. — © Charlie Hunnam
I was a slightly melancholy child and I think films were a way of escaping for me.
The films that have influenced me and the films that have motivated me and inspired me were films that resonated, films that made me think after I saw them.
Viewing the child solely as an immature person is a way of escaping comforting him.
I could never be Charlie Chaplin. But the films that were made by people like him, or Gene Wilder, or John Candy, the people that inspired me so much were the people that were able to combine humor with heartbreak so beautifully and fluidly. Those films I think were what inspired me to want to come to L.A. and audition for movies.
Australian genre films were a lot of fun because they were legitimate genre movies. They were real genre films, and they dealt, in a way like the Italians did, with the excess of genre, and that has been an influence on me.
Somebody I love and have a huge amount of respect for once told me something that, to this day, I don't really think I understand. It was probably toward the end of Harry Potter, and they were talking to me about afterwards and that kind of stuff. And they were saying, "You need to think of yourself as a brand and you need to protect that brand." I just don't understand what that really means in terms of being an actor, and I also think I would find that a slightly soul-destroying way to look at myself.
The intense horror of nightmare came over me: I tried to draw back my arm, but the hand clung to it, and a most melancholy voice sobbed, 'Let me in - let me in!' 'Who are you?' I asked, struggling, meanwhile, to disengage myself. 'Catherine Linton,' it replied, shiveringly (why did I think of LINTON? I had read EARNSHAW twenty times for Linton) - 'I'm come home: I'd lost my way on the moor!' As it spoke, I discerned, obscurely, a child's face looking through the window.
As a child I made a pact with my mother. I agreed that we were doomed, that she and I abided together in a cocoon of melancholy.
Blaxploitation films were black films targeting black people. They were films made to appeal to a culture in a way that was supposed to be unfiltered.
When people around me were signing films, I would wonder why nothing good came my way. See, I wasn't desperate to do films, but I was desperate to do good films.
If you speak in a different accent, you begin to move in a slightly different way. You think in a slightly different way. It's part of trying to find what makes a character.
I think melancholy is part of the natural condition, you know. Anyway, I think it's the artist's function to have their melancholy and not hide it, you see.
I was always raised on cowboy films, and then when I could start making choices about the movies I wanted to watch I found myself wanting to watch gangster films which were slightly more sophisticated than the baseline stuff that was in westerns.
I've been able to make some wonderful films, but sometimes you make films with great passion - great belief - and these films slightly don't work at the box office, and they become your favorite films.
Melancholy is not one of my emotions. Quite seriously, I don't do melancholy. It's a miserable way to be.
Think you're escaping and run into yourself. Longest way round is the shortest way home.
I think parts of my soul have been saved by my writing, not in the sense of escaping death, but escaping the death of the moment, perhaps.
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