A Quote by Charlie Hunter

Bobby is really the one who did all the editing on that stuff. And he did all the mixing. I particularly like the record we did with Logic because Scott Harding did a great job mixing it. He's really a killing engineer.
Everything we did, we did live - and then Bobby took it home and chopped it up and edited it. Which is pretty much what they did with every jazz record you've ever heard.
You know, we did a good job in containing the Soviet Union, but we made a lot of mistakes, we supported really nasty guys, we did some things that we are not particularly proud of, from Latin America to Southeast Asia, but we did have a kind of overarching framework about what we were trying to do that did lead to the defeat of the Soviet Union and the collapse of Communism. That was our objective. We achieved it.
Every record I have done was because I was a person's friend. The only time we did not continue to be friends was if the record did not become a hit. If it did, we became great friends.
I like 'The Fault in Our Stars.' I thought those two guys did a really, really good job. The movie obviously did really, really well.
I did go to college with him, but everyone's always like, 'Did you meet Mark Zuckerberg? Did you hang out with him?' and I'm like, 'No,' because he was in a lab creating Facebook, and I was, like, learning about alcohol. Well, we did go to school, and I think I'm not really benefiting from that relationship in any way.
Here's the thing that I think really pushed me, was my versatility. Because when I came in to the movie business, all the stunt men were specialists. If you did horse work, that's all you did. If you did cars and motorcycles, you did that. But when I came in, I taught myself how to do everything.
I went into 'RuPaul's Drag Race' saying, 'I'll never cry.' Because they make fun of every queen that cries on the show. And I did cry, and I did scream, and I did have doubt, and I did have great, victorious moments.
I did it at night because I loved it. I never did it to make money, as a job. I just did it because I had to.
My favorite record shop was called Recommended Records, in South London near where I lived - they did all the original Faust reissues that came out in 1979, and they also did a lot of Sun Ra stuff. They were a great record shop.
And then, I was thinking of doing a record just like starting with voice, because I did this one song that was just kind of a cappella, and I did it for this art piece I did where people could come and play music to go with a voice.
I definitely wasn’t cool in high school. I really wasn’t. I did belong to many of the clubs and was in leadership on yearbook and did the musical theater route, so I had friends in all areas, but I certainly did not know what to wear, did not know how to do my hair, all those things.
I definitely wasn't cool in high school. I really wasn't. I did belong to many of the clubs and was in leadership on yearbook and did the musical theater route, so I had friends in all areas. But I certainly did not know what to wear, did not know how to do my hair, all those things.
I did radio, I did television, I did opera, I did films in which I had very, very little to say. But I had a lot of experience in front of the camera, and that's what really counts.
Both my sisters and I were in Stage Door plays, and we did that together, just in, like, little small plays together. And we did that, and it was really fun, and we kinda did commercials, and it kinda took off from there. It was great; it's what I love.
I did everything when I started. In Miami I did news, I did weather, I did sports, I did disk-jockeying. And I did a sports talk show every week - every Saturday night.
We always did our own mixing.
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