A Quote by Charlie Huston

I might be at a point where I don't want to go with a genre convention but I have to produce some pages. It's hard work. And it requires you learn certain skills. — © Charlie Huston
I might be at a point where I don't want to go with a genre convention but I have to produce some pages. It's hard work. And it requires you learn certain skills.
There have been times I thought that when I got a certain point in the story, a certain character was going to do a certain thing, only to get to that point and have the character make clear that he or she doesn't want to do that at all. That long phone conversation I thought the character was going to have? He hangs up the phone before the other person answers, and twenty pages of dialog I had half written in my head go out the window.
When guys get to a certain age or certain level in their career maybe they don't do as much or work as hard so they start to lose some of that stuff. It's inevitable that at some point your going to lose most of what you've had.
Then you learn about composition, you learn about old masters, you form certain ideas about structure. But the inhuman activity of trying to make some kind of jump or leap, where , the painting is always saying, 'What do you want from me? I can only be a painting.' You have to go from part to part, but you shouldn't see yourself go from part to part, that's the whole point.
I'm pretty critical, but I'm also pretty good at letting go once it's done. There's this existential argument that comes in, at some point, when you're over-thinking the songwriting process. There's no guarantee that the more time you spend or the more you concentrate on certain aspects that that's going to produce a better result, especially in the arts. Some of the most brilliant things that someone might do could happen in three minutes because it's something that just occurs to them.
As actors, we have that in common that we go for slightly out-of-the-box or genre stuff. They're great when they work, but they don't always work. Genre stuff is really hard to pull off, as any fans of it know.
Capitalists work hard to produce what consumers want. Artists who work too hard to produce what consumers want are often accused of selling out. Thus, even the languages of capitalism and art conflict: a firm that has 'sold out' has succeeded, but an artist that has 'sold out' has failed.
I don't have a checklist. Whatever material excites me, they'll call for a certain genre or combination of genres. It'll come naturally and I'll be eager to learn how that thing works. I learn the rules, and I'll probably break some of them.
Business requires an unbelievable level of resilience inside you, the chokehold on the growth of your business is always the leader, it's always your psychology and your skills - 80% psychology, 20% skills. If you don't have the marketing skills, if you don't have the financial-intelligence skills, if you don't have the recruiting skills, it's really hard for you to lead somebody else if you don't have fundamentally those skills. And so my life is about teaching those skills and helping people change the psychology so that they live out of what's possible, instead of out of their fear.
Writing requires a great deal of skill, just like painting does. People don't want to learn those skills.
Even printed, on pages that are bound, sentences remain unsettled organisms. Years later, I can always reach out to smooth a stray hair. And yet, at a certain point, I must walk away, trusting them to do their work. I am left looking over my shoulder, wondering if I might have structured one more effectively.
The most radical, audacious thing to think is that there might be some point to working hard and thinking hard and reading hard and writing hard and trying to be of service
I actually tried to learn the dictionary at one point. It didn't work; I only got through the first few pages.
Beginning a novel is always hard. It feels like going nowhere. I always have to write at least 100 pages that go into the trashcan before it finally begins to work. It's discouraging, but necessary to write those pages. I try to consider them pages -100 to zero of the novel.
It's easy to think that craft can't change but important to remember that all craft process was at some point new, at some point challenged convention - not to be contrary, but enabled by some breakthrough, some newly discovered principle, or sometimes some wonderful accident.
People work really hard to get to a certain point. But they have to work just as hard to stay there
People work really hard to get to a certain point. But they have to work just as hard to stay there.
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