A Quote by Charlie Kaufman

I want to do my own thing, and I'm trying to get closer to realizing that as a filmmaker. — © Charlie Kaufman
I want to do my own thing, and I'm trying to get closer to realizing that as a filmmaker.
I think visual seduction is really a lovely thing. To be able to look at something and feel you want to get closer and closer to it, and as you get closer to it, the more you drop your guard.
For all of my life, I've had this one song in my head, and I'm still trying to write it. I'm still trying to get that song out. I'm getting closer, every record I get a little bit closer to saying it the way I want to say it.
My mom always does this thing where, the closer I get to home, the more she calls. 'Hey, listen, how's your plane? Did you land? Are you landing? Sweetie. Listen. We want to... ' The anxiety amps up exponentially as I get closer, and then I can't get out fast enough.
I think every filmmaker wants... I don't know about every filmmaker. I certainly want my films to just exist. I want them to be judged for what they are and analyzed, accepted, criticized, whatever you want to call it, on their own terms, not as part of some mall-cop genre.
I think my life has been a long, slow process of trying to move closer and closer to the spirit by moving closer and closer to the heart. The heart is what's important.
One thing I'm not is a moralistic filmmaker. I'm not trying to tell people what to do, and I'm not trying to lead.
I'm always trying to find ways to evolve. Evolution, for me, is a very spiritual thing, getting closer to the creator, closer to God, and becoming a better version of yourself.
Being personally acquainted with a number of Waldorf students, I can say that they come closer to realizing their own potential than practically anyone I know.
That's the only place in all the lands we've ever heard of that we don't want to see any closer; and that's the one place we're trying to get to! And that's just where we can't get, nohow.
But I did on projects that I produced, that I directed, that I acted in because it was important. I want to be a filmmaker. I don't want to be an actor who directs, I want to be a director. I want to be a filmmaker. So that's a big difference.
I'd like to make mistakes on my own dime and not have a herd of people tell me what I'm doing wrong. and I'm also still trying to find and develop my voice as a filmmaker, and I think that's easier to do on your own terms than trying to satisfy a bunch of people that are paying for the movie.
I just want get to as high as I can go. I think that's the safest and most politically correct thing I can say. I'm not trying to take anyone's spot. I want to create my own lane and shoot to the sky.
I'm moving - as a person and as a writer - through time. I'm a different age. I'm thinking about different things. I have different life experiences. I'm trying to get closer to being honest. And by closer I mean that at different ages I have different ideas of what the truth is, and at any point I'm trying to express that at that moment in time.
I don't want to become an ivory tower filmmaker. That sounds peculiar, but I want to be a mainstream filmmaker. I want the largest possible audience that I can find - but, of course, on my terms.
I think I'm always conscious of not letting things fit into a specific box. Being a filmmaker and trying to chart a career, you never want anyone to be able to pigeonhole you into one specific thing.
Taking one step, doing one thing every day that will get you closer to your own financial dream.
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