A Quote by Charlie Kaufman
You get a kind of surreal feeling and also it allows you to focus on the things we want you to focus on in a new way - the stuff that's very small and mundane that happens in a person's life when they're in a hotel room. There's more interest because you're seeing a puppet do things that you're very familiar with that you might not notice if it was a human doing it.
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I have a preference for writing that deals with domestic issues; even in visual art, I like work that focuses on very small aspects of human life. I like movies that have a very narrow focus. I can see how it might be viewed as limiting, but I don't experience it that way.
Now I don't care what people think. I did some internet campaign where I was the voice of a puppet for Ford Focus ads because they were paying me a lot of money to do it, it was a very easy gig, but then the bonus was, it turned out to be an enormous amount of fun. I've learned not to turn my nose up at things just because they're not what other people might consider cool to do. Because I've also matured enough to know, you never know where these things are going to lead, and you never know what the experience is going to be like.
I live in a space of thankfulness- And I have been rewarded a million times over for it. I started out giving thanks for the small things, and more thankful I become, the more my bounty increased, that's because what you focus on expands and when you focus on the goodness in your life, you create more of it.
The stabbing horror of life is not contained in calamities and disasters, because these things wake one up and one gets very familiar and intimate with them and finally they become tame again. No, it is more like being in a hotel room in Hoboken let us say, and just enough money in one's pocket for another meal.
It's very stressful being the No. 1 player in the world. You're in the limelight a lot. You've got more things to do when you get to tournaments, more things to do off weeks. But I wouldn't change it in any way because this is exactly where I want to be. I want to try and stay here as long as I can while I can because nothing beats this feeling.
In New York, I'm playing in a church, solo, doing instrumental stuff. There's talk of doing more, like, installation-type things with some of the specimen horns I've played through. Just filling a room in a museum with these horn-speaker sculptures and then making loops that run all day, and you walk around the room and sort of mix the sound by where you stand. That's all way in the future, but that kind of stuff is a different way of thinking about performing.
There's so much focus and interest about what happens during war, but very little about what happens when people return to homes and communities that have been destroyed. There's a renewal that happens, but it's a very difficult one.
The way a child discovers the world constantly replicates the way science began. You start to notice what's around you, and you get very curious about how things work. How things interrelate. It's as simple as seeing a bug that intrigues you. You want to know where it goes at night; who its friends are; what it eats.
I'm the kind of person who likes to focus on one thing at a time. I'll focus on my skiing and then when I get to the bottom of my run and the cameras are on me, I'll focus on what I need to say, and then I'll focus that night on recovering and getting ready for the next day.
If everybody else your age is doing something very different than what you're doing, there's always going to be someone saying to you you might not succeed with it, you might not make any money with that... there's always going to be some type of obstacle in the way. All of those things will go away if you really focus on what makes you happy.
If you have a weakness for furry slippers or something, you might end up with that kind of advertising. It's a very complicated algorithmic decision. There's no one dude who's deciding what ads are going with things, and it's very individualized also. And that's the idea of collecting information is that in theory, you're showing people things that they should want to see or for which they are a good target. So, no, there's no master person.
Acting is a funny job because you're always playing a hundred levels of pretend, but when you're working with great designers who end up doing a lot of that work for you, you can focus on the things you want to focus on.
Stop allowing yourself to focus on depressing life circumstances - including focusing on being depressed about your weight. All this negative focus will only lead you to feeling bummed and wanting to pig out. Instead, consciously focus on happy life circumstances you enjoy doing, and create more of them!
I'm someone who loves to enjoy life and tries to focus on real things and real friendships. That's why I live very simply. I'm a jeans and T-shirt kind of girl. I don't spend much time fixing myself up or trying to look cool. I live like a normal person and even though I'm in a very high-profile business, I really don't let it affect the way I live.
I have to care and I have to be honest and have the courage to be vulnerable. If that happens, then that's the best I can do. To just be a puppet for the audience is not very courageous. Just to do whatever they say they want - because a lot of times people will hear something new that they hadn't heard before and get turned on by a new experience and will want to hear more of that.
I think that very often younger writers don't appreciate how much hard work is involved in writing. The part of writing that's magic is the thinnest rind on the world of creation. Most of a writer's life is just work. It happens to be a kind of work that the writer finds fulfilling in the same way that a watchmaker can happily spend countless hours fiddling over the tiny cogs and bits of wire. ... I think the people who end up being writers are people who don't get bored doing that kind of tight focus in small areas.
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