A Quote by Charlie Kaufman

I often have a theme in mind when I'm starting. I know that I want everything to be in a world of, say, evolution, or guilt. — © Charlie Kaufman
I often have a theme in mind when I'm starting. I know that I want everything to be in a world of, say, evolution, or guilt.
So the starting point and the basis of their liberal wails of anguish always and always is guilt. Guilt, guilt, guilt.
I wish you were a mind-reader. I want you to know everything but I don't want to have to tell you. Because there are some things I don't want to say out loud.
There are absolutely almost perfect people who experience no guilt; they don't know what it is. They simply do what they need to do - or want to do - next. They see nothing wrong with it. They feel no guilt. They express no guilt. And it's not even certain what harm they do.
We tend to talk about the world in a myriad of ways - a microscopic world of elementary particles, a biological world of organisms and evolution, a social world of morality and meaning. But it's all the same underlying world. That's the underlying theme of 'The Big Picture.'
I say to the grown-ups, 'If you want to deny evolution and live in your world that's completely inconsistent with everything we've observed in the universe that's fine. But don't make your kids do it.'
Not to want to say, not to know what you want to say, not to be able to say what you think you want to say, and never to stop saying, or hardly ever, that is the thing to keep in mind, even in the heat of composition.
Starting clean is a theme for me - starting fresh and understanding what's important about life.
I'm sure you have a theme: the theme of your life. You can embellish it or desecrate it, but it's your theme, and as long as you follow it, you will experience harmony and peace of mind.
I think a part of evolution is the desire to know yourself, and know the world you live in, and discover everything you can about the world you live in. That world can be the microcosm of your own emotions, or a society, or the cosmos. There's this constant desire for knowledge.
In Comme des Garçons, I hardly do any sketches; there's no fittings on bodies, there's no models that come in and say, "Oh, a little bit like this." In the beginning, there isn't even a theme. It's like getting the whole world at your feet - to empty your mind of everything that's ever happened before, to get an empty space.
Moreover, there is this completely false trial. I would participate wholeheartedly in a trial if it were to determine the guilt for 5 million murdered people and the guilt for the atrocities. But I see in this trial endless other things brought out and I have the feeling that in the shadow of the guilt of these murders the German people shall be considered guilty of everything, and in the shadow of this guilt the Americans, English, French, and especially the Russians will want to get rid of their own dirty linen.
When you're starting out in this business, it's very easy to want to say yes to everything that's offered to you.
I want to put it back together now, this artistic expression that contains religious feeling. I want to investigate: What was the origin? What's happened in the human mind? Can we trace back the moment of the creation of human consciousness? And why did only humans gain consciousness, not other animals? So, evolution? I don't know whether or not I can believe evolution. Maybe we wait for another 100,000 years and then apes get consciousness.
I'm much more collaborative than I probably was when I was first starting, much more willing to say, "I don't know the answer to that." I have really talented people and let them do their jobs and not try to control everything as much as I did when I was starting. I was a bit more insecure.
The theme for me is love and the lack of it. We all want that and we don't know how to get it, and everything we do is some kind of attempt to capture it for ourselves.
I want to be the friend you fall hopelessly in love with. The one you take into your arms and into your bed and into the private world you keep trapped in your head. I want to be that kind of friend. The one who will memorize the things you say as well as the shape of your lips when you say them. I want to know every curve, every freckle, every shiver of your body. I want to know where to touch you, I want to know how to touch you. I want to know convince you to design a smile just for me. Yes, I do want to be your friend. I want to be your best friend in the entire world.
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