A Quote by Charlie Kaufman
When I found myself in that situation - that actors are like children, I tried to be successful. And when it worked and I figured out how to communicate that things were good - or at least okay - then I felt pleased.
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I worked hard to be accepted by the fashion community in ways beyond my physical appearance. In no time, though, I found myself surrendering to the industry's approval process. I felt like I needed validation from everyone. As a result, I lost sight of myself and what it meant to be happy, what it meant to be successful.
I figured something out. And it is no secret what I figured out. Whatever the majority of people were doing, I found myself doing the opposite. I wanted to chase something great.
Doing 'All Good Things' really felt like I was acting for myself rather than anyone else. It gave me a freedom I'd never had before, or knew I had, to do whatever I want to, and to argue my opinions and not just feel like the cute girl on set or the girl in a boy's club. I figured out how I could be both. And it's been different ever since.
Before I got divorced, I was personally unfamiliar with trial, or at least trial of serious, heart-wrenching proportions. I figured that life went smoothly if you tried hard, and if you messed up, or things weren't working out, you just tried harder.
You have actors you've worked with previously, and you have actors you haven't worked with that you've seen in things where you know they can work in these parts. And then there are actors who blow you away, who surprise you.
I went to an acting class for 3 years. But then I figured out that, since there were already 26,000 actors in SAG (Screen Actors Guild), I could make a better living as a stunt man.
I was really unfit last year, so I worked out for a long time, then spent time by myself in Oregon. For about two months the only person I saw was my trainer. Every day I did a lot of running and I just didn’t want to talk to anyone for two months. So when I started talking again, it was like you would communicate wrongly, like you wouldn’t really remember how to speak. That was one of the key things as well as just reading the book, reading the script a million times, just figuring things out.
The script is like music to me. I approach it like it's a musical piece and I hear how it's supposed to sound when people say the words. There's rhythms and there's intonations and things, and so, when somebody comes in and hits the notes that I hear, I go okay. Or, they come close enough, and then I'll say "Well how about you try it like this?" and if they have a good ear and they can pick it up, then I think okay, they've got it.
I was tired and I had overworked myself and burnt myself out. So I went to Egypt by myself. When I saw what was built there, it made me understand how powerful we are, that we can create anything. And I felt like I needed to create things that were timeless too.
I never studied directing and I never really thought about doing it, and then I just found myself in that situation and tried it. I like to be observing everything else, and I get self-conscious in front of the camera.
My parents have worked their asses off their whole entire lives, they still do, and I never felt like anything would be handed to me. I never felt sorry for myself. I felt like, "Wow, this is incredible. I'm able to do this for myself." I think once you have that sense of empowerment at a young age and you allow your children to have that empowerment, it will fuel them for a lifetime.
People always say, 'How is it to be so successful?' I'm not successful yet. Richard Branson is successful. That's successful. Michael Jackson was successful. U2 was successful. I'm just a guy, doing okay. But I'm a happy guy doing okay.
From the moment my dad died, from the moment I found out there was the possibility of his dying, there were many surprises - years after, minutes after. The moments I was okay were as surprising as the ones that I wasn't. Making it through the eulogy without losing it. And then the guilt I felt about it. Surprise!
I like doing commentary. As a filmmaker and film student, I think it's really interesting to hear what a director did and how they figured out how to do things. I often like the technical commentaries myself.
I figured I’d probably write 50 scripts in my life. Out of those 50, I figured maybe five would be produced, and that maybe one or two would be successful. So I always kind of expected I’d write at least one successful film in my life. [...] The way it all came together was kind of like Murphy's law in reverse—I don’t expect that kind of experience again any time soon.
Culturally, I found myself in a very weird situation: you were the person that had made that journey to the West, and then you were going back to comment on something, and then suddenly you were questioned and told, "You can't touch that now because you're a pop star."
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