A Quote by Charlie Munger
Knowing what you don't know is more useful than being brilliant.
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You are valued more than you know, by more people than you think. It might be good to get in touch today with your true worth. It is much higher than you often give it credit for being -- and now is a perfect time to know, and to gently assert, that fact. This is not about arrogance and it is not about over confidence. It is about a simple, dignified Knowing.
From my experience, politicians are much more uncomfortable being made fun of than they are being preached at and screeched at - you know, and the soapbox routine. They're much more uneasy knowing they're a target of ridicule.
I think just having everybody know who you are is more of a challenge. More than anything about it is just knowing people are watching. I know who I am, so it's watching things I say, what I do. Even if I'm in line at one of the rest stops or something, it's just being on my Ps and Qs at all times more than anything.
There are few more frustrating things in life than being told something that you already know but cannot admit to knowing.
I do wish that I had gone to college, just for the simple fact that knowing more than one approach makes you more well-rounded. But I still can't say knowing what I know now, that I would have done it any differently.
You want to know why Barbra Streisand is so difficult? Because she's brilliant. She's a brilliant entertainer, she's a brilliant lady, and she's a wonderful human being, and the community doesn't like it.
Of everything that man erects and builds in his urge for living nothing is in my eyes better and more valuable than bridges. They are more important than houses, more sacred than shrines. Belonging to everyone and being equal to everyone, useful, always built with a sense, on the spot where most human needs are crossing, they are more durable than other buildings and they do not serve for anything secret or bad.
Piglet was so excited at the idea of being Useful that he forgot to be frightened any more, and when Rabbit went on to say that Kangas were only Fierce during the winter months, being at other times of an Affectionate Disposition, he could hardly sit still, he was so eager to begin being useful at once.
The things that you know more about than you want to know are very useful.
"You know, Mouse," Tabby said, "a brilliant cat like me should have smart friends; people who can count to more than four." "I can count to more than four," answered Mouse, very offended. "And I can do hard sums, and I know geography and history, and I can knit and ..."
To know another human being in their essence, you don’t really need to know anything about them - their past, their history, their story. We confuse knowing about with a deeper knowing that is non-conceptual. Knowing about and knowing are totally different modalities. One is concerned with form, the other with the formless. One operates through thought, the other through stillness.
There's a common personality type to software developers - one I certainly fall into. We're more comfortable staring at a screen than staring into someone's eyes. Engineers can be brilliant in the workplace, and something less-than-brilliant everywhere else.
I love the characters not knowing everything and the reader knowing more than them. There's more mischief in that and more room for seriousness, too.
More than anything, being an English major made me more appreciative of authors and what an incredible feat it is to just finish a novel, let alone a really brilliant one.
Eventually we realize that not knowing what to do is just as real and just as useful as knowing what to do. Not knowing stops us from taking false directions. Not knowing what to do, we start to pay real attention. Just as people lost in the wilderness, on a cliff face or in a blizzard pay attention with a kind of acuity that they would not have if they thought they knew where they were. Why? Because for those who are really lost, their life depends on paying real attention. If you think you know where you are, you stop looking.
The ability to name poetry's gestures and rhetorics isn't required to write or read them, any more than a painter needs to know the physics of color to bring forward a landscape. The eye and hand and ear know what they need to know. Some of us want to know more, because knowing pleases.
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