A Quote by Charlie Munger

Practically everybody (1) overweighs the stuff that can be numbered, because it yields to the statistical techniques they’re taught in academia, and (2) doesn’t mix in the hard-to-measure stuff that may be more important. That is a mistake I’ve tried all my life to avoid, and I have no regrets for having done that.
We value 'stuff' quite highly. Why? Because that 'stuff' apparently matters. Not only that, we use it as a measure of how successful we are, and as a result of that, having more of this 'stuff' often determines how people treat us.
I never really planned a career. I've tried to avoid it. I've tried to do this stuff I felt for, the stuff I like. So, I've just been meeting these fantastic directors who've offered me a variation of different parts and different films.
My experiences in life are getting bigger and better. The more stuff I do, the more stuff I talk about - having kids, traveling, going through relationship problems, dealing with things in my own family. All that stuff builds character.
I've been joking that if Madonna taught us anything, you've got to reinvent yourself. I think it's important as a filmmaker, as any person working in the arts, that you've got to try new stuff and challenge yourself and take chances. I've tried to take a chance with every film I've done - I've never done it the easy way, and I think that's because that's what excites me, is making as big a mountain as I can in front of me, and just trying to mount it.
As seemingly impossible as it may seem of having zero regrets, when I look at my life now and all the mistakes I've made, all the bad decisions I've made, all the things I could have done differently or done more in, I don't think I would have changed anything.
National Geographic has awesome stuff. I like Court TV. Sometimes I'll watch Reality Mix because they have some interesting stuff on that.
I'd done plenty of dark stuff and edgy stuff and hardcore stuff, and I kind of found that stuff easy.
It is very important to embrace failure and to do a lot of stuff — as much stuff as possible — with as little fear as possible. It’s much, much better to wind up with a lot of crap having tried it than to overthink in the beginning and not do it.
I guess everybody's different, but I know that everybody's natural instinct is to remember the bad stuff more than the good stuff.
I'm doing stuff on Kaballah and Scientology and a little bit more racial stuff, for good measure.
I have always tried to avoid regrets. Could I have done differently some things in my career? Maybe.
I go back to the old school days of that Attitude Era stuff. Everybody knows when I speak of the Attitude Era, my favorite stuff is of the mid-'80s, all that NWA stuff, the World Class stuff, the stuff that Bill Watts was doing.
I'm hungry in the ways that every artist is, but I also have this extra layer. I've done a lot of things that were consciously not for money, but because I'm so convinced I'm going to die in my mid-30s, I'm like, 'That's not what's important. Doing cool stuff and having that legacy is what's important.'
I did write more mainstream stuff with DK. But you could always tell the records that I wrote in contrast with everybody else's because the format was a bit different. The harmonies were used in a different type of way. Way more metaphors in the mix.
We frequently fall into error and folly, not because the true principles of action are not known, but because for a time they are not remembered; he may, therefore, justly be numbered among the benefactors of mankind who contracts the great rules of life into short sentences that may early be impressed on the memory, and taught by frequent recollection to occur habitually to the mind.
One of the things I figured out was that I was having good gigs when I wore jumpers. It was because I looked more like an outsider, so they expected me to talk about weird stuff rather than normal stuff.
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