A Quote by Charlie Munger
If you, like me, lived through 1973-74 or even the early 1990s... There was a waiting list to get OUT of the country club - that's when you know things are tough. If you live long enough, you'll see it.
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"I guess I've been waiting so long I'm looking for perfection. That makes it tough."
"Waiting for perfect love?"
"No, even I know better than that. I'm looking for selfishness. Like, say I tell you I want to eat strawberry shortcake. And you stop everything you're doing and run out and buy it for me. And you come back out of breath and get down on your knees and hold this strawberry shortcake out to me. And I say I don't want it anymore and throw it out the window. That's what I'm looking for."
I think that the reason my records are able to live forever in the club is because I actually like to be in the club. I don't go to the club to do VIP or get bottles or nothin' - I go to the club, I enjoy the people, I see what the people are vibin' off, and I see what makes me go crazy in the club also, and that has a lot of influence on what I bring to the table when I'm thinking of making a big club record.
I've lived in L.A. for a long time, and they say, 'If you sit in a barber's shop for long enough, you will get a hair cut.' Well, if you live in Los Angeles for long enough, you're going to get some surgery.
There appears to exist a greater desire to live long than to live well! Measure by man's desires, he cannot live long enough; measure by his good deeds, and he has not lived long enough; measure by his evil deeds, and he has lived too long.
People often say, 'I like your comics, even though I don't know enough math to get all of them,' as if it's some kind of club where they don't belong. But there's no club. There's just lots of people who are excited about thinking, learning, joking, and sometimes overanalyzing things.
I've gotta long list of things to do, bucket list things - play 'Saturday Night Live,' make a movie. I want a lot of things, but one of my deepest wishes would be to headline - and sell out - Red Rocks.
I lived in a country where I couldn't live where I wanted to live. I lived in a country where I couldn't go where I wanted to eat. I lived in a country where I couldn't get a job, except for those put aside for people of my colour or caste.
Once, after a long week, I felt so insecure that I decided to make a list of people who thought I was funny even if I didn't think I was. At the top of the list, I wrote, 'Garry Shandling.' His early praise protected me like a comedy-writer version of Harry Potter's scar.
Do you know the kind of things that live up there?...things without names 'cause no one who's seen 'em has lived long enough to give them any name besides 'AAAARG!
When I first started shooting 'Sharpe,' back in the early 1990s, I'd kiss my two elder daughters goodbye at the end of August - Evie wasn't even born then - and I wouldn't see them again until Christmas. That was tough. They were hard times.
Mark my words, even if I sell out a club of 15,000 with all girls, I'm not taking my shirt off. I'm sorry. I know y'all are waiting to see the pasty stomach and everything.
Those of us who lived through the worst of the HIV/AIDS epidemic from the early 1980s through the mid-1990s have a very special spot in our heart for home-based health care.
I've lived long enough to know things go in and out of fashion, and things not well received now can be totally reversed years later.
I once walked out of a nightclub with my team-mates to see our star midfielder reclining across the bonnet of a Ferrari, arms folded, waiting for girls to come out so he could wink at them and then progress it from there. I have no idea how long he'd been waiting. I do know it wasn't even his Ferrari.
There are roles out there I want to play that I don't know if I'll ever get the chance to. But I'm not going to waste time waiting for those phone calls, passing up the chance to do these sorts of things. I'm more likely to go see a smaller, darker indie film, like Felony for instance, than I am to see an Avengers or perhaps even a Terminator.
When we were bringing 'Raisin' onto Broadway, our first stop was at Arena in D.C. Several things struck me about being in D.C.: One was the enormous poverty around the capital at that time - it was 1973, '74 - and I was stunned by people literally living in poverty, with holes in their houses and other things.
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