A Quote by Charlie Murphy
When I was nine years old, I was in a movie called, 'Landlord' with Pearl Bailey, Lou Gossett, and Beau Bridges.
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I went to The Miller School of Albemarle, just outside of Charlottesville, Virginia. As a kid, I really loved the movie 'Toy Soldiers' starring Sean Astin and Lou Gossett Jr., and when I found out they filmed that movie at the Miller School, I was excited to go there.
Right before 'Brian's Song' there was a period when I was very despondent, broke, depressed; my first marriage was on the rocks. The role of Gale Sayers had been cast with Lou Gossett, and then he hurt himself playing basketball. I was called in to read for the role. I was their last choice, and I knew it.
The way a film can change over the generations... You watch a movie when you're 20 years old, and you see the same movie when you're 35 years old or 40 years old, and something happens. The movie changes because we change as individuals.
What's it like then?" asked Old Bailey. "Being dead?" The marquis sighed. And then he twisted his lips up into a smile, and with a glitter of his old self, he replied, "Live long enough, Old Bailey, and you can find out for yourself.
One thing they don't tell you about growing old - you don't feel old, you just feel like yourself. And it's true. I don't feel eighty-nine years old. I simply am eighty-nine years old.
Typically, highway bridges have about 50 years. But over in England, they have iron bridges approaching 250 years. In France, there are Roman aqueducts that are approaching 2,000 years old. So a bridge can last a very long time if it's built properly in the first place and then maintained properly.
The average development time for a Hollywood movie is nine years. Nine years for a studio film. And a lot of what you do is abstract.
I starred in a Broadway play that was Sidney Poitier's first directing job and the cast was Lou Gossett, Cicely Tyson, Diana Ladd and I played a Jewish kid who offered himself as a slave to two Columbia University students as reparations.
...He is sure that the Bailey he is now is closer to the Bailey he is supposed to be than the Bailey he had been before
I think I heard about 'The Giver' being made from when I was 11 or 12 years old. When I got the audition for this movie, I already knew that Meryl Streep was attached to it, and Jeff Bridges, obviously.
Bridges are burning all around us; bridges to responses that might have mitigated the already brutal (and just beginning) ravages of Peak Oil; bridges to reduce the likelihood of war and famine; bridges to avoid our selectively chosen suicide; bridges to change at least a part of energy infrastructure and consumption; bridges to becoming something better than we are or have been; bridges to non-violence. Those bridges are effectively gone.
When I was eight or nine years old, my older cousin took me to the St. George Theatre on Staten Island to see a Bruce Lee movie and a Jim Kelly movie. Those were my first martial-arts films, and I fell in love with the genre back then.
I remember the first horror movie I saw - I was five years old; it was a direct-to-video movie called 'Truth or Dare: a Critical Madness,' which is sort of badly fantastic or fantastically bad. And then 'Gremlins' was an early movie that I saw, and 'Nightmare on Elm Street 3.'
I don't worry too much about the script, I just ad lib, like Pearl Bailey.
I really try to ask myself the question of nine. Will this matter in nine minutes, nine hours, nine days, nine weeks, nine months or nine years? If it will truly matter for all of those, pay attention to it.
I started with Sidney Poitier and Ruby Dee and Lou Gossett, Jr. and the rest of the wonderful cast of 'A Raisin In The Sun.' We were directed by the great Lloyd Richards. The play was written by the wonderful Lorraine Hansberry, and it was produced by Phil Rose. That's where my start was, so... not a bad way to start.
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