A Quote by Charlie Murphy
Every barbershop has a guy who wrecks shop every time he comes in. He has the whole barbershop laughing. That doesn't mean he's a comedian.
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No matter what barbershop you go to, there's always that guy who's just hanging around and doesn't do much, but knows everything that's going on in the community.
That’s just the kind of thing that kids do to each other. It’s no big deal. There’s always going to be a person laughing and somebody getting laughed at. It happens every day, in every school, in every town in America—probably in the world, for all I know. The whole point of growing up is learning to stay on the laughing side.
Karaoke isn't fair when you're a comedian. The whole idea is to get people laughing and enjoying themselves, and I'm a professional funny guy.
When I want to work on my material, I go to Benihana or the barbershop.
You can talk about pretty much anything in the barbershop.
I think of fans like a barbershop. I want that debate.
Your services might be as useful as a barbershop on the steps of a guillotine.
I'm an old guy, and I was protesting during the Vietnam War. We killed fifty Asians for every loyal American. Every artist worth a damn in this country was terribly opposed to that war, finally, when it became evident what a fiasco and meaningless butchery it was. We formed sort of a laser beam of protest. Every painter, every writer, every stand-up comedian, every composer, every novelist, every poet aimed in the same direction. Afterwards, the power of this incredible new weapon dissipated.
Barbershop conversations are irrefutable proof that heads exist for the sake of hair.
Jermaine Defoe was from my area. Rio Ferdinand used to come into my barbershop.
For me, it's all about the haircut. I don't have a lot of hair to style, so I keep it nice and fresh and tight. I actually go to the barbershop every five days. As soon as your haircut is on point, you have to make sure your outfit is fully ironed, you smell good, and you have clean sneakers on. Pretty much the head-to-toe look.
There is no bad day that can’t be overcome by listening to a barbershop quartet. This is just truth, plain and simple.
In the barbershop, there's democracy. You're a professor; you're an engineer; you're a garbage man, have at it. You got something to say, get down with it.
I was at the Apollo Theater all the time, skipping school, and I worked in a barbershop. That's how I started with doo-wop. Now I've come full circle. I did all kinds of music. I used to work on Broadway and Tin Pan Alley.
There are no more barbershop quartets wearing boaters, even though I still like them. Life goes on.
Every time I dance I have a high. I mean every time I danced, it was the whole world was the stage and I was in control of it and there was a form and a ritual and yet it was spontaneous and life didn't matter after that of before
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