A Quote by Charlie Musselwhite
Some players, they have all their licks memorized. They think about what they're going to play, but I try to think about what not to play. Tone and phrasing, that's what's important - less is more. The feeling, that's the thing.
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I believe in knowing all you can about the music and the people who made the music. I think it's much more important to know some good Miles Davis stories than to know how to play like Miles. I think you'll play better if you know some of the funny things he did than if you know the licks that he played.
I think the person I learnt the most from as a coach was Cruyff because he was always talking about tactics - how to play, where to play and when to play. I think that helps a lot of young players, which is good. He was the most important trainer for me.
The thing is this: When I play, what I try to do is to reach my subconscious level. I don't want to overtly think about anything, because you can't think and play at the same time - believe me, I've tried it (laughs).
I think the game has grown so much and I was definitely there a lot. I'd say more so less the style of play, but more knowing individual players and their tendencies and knowing which players are going to be key threats for them.
Good teams I played on... just the tone that they play with, the energy they play with, how they go about it. When you get it going the right way, you get everyone going in the same direction and it's a powerful thing.
You always watch Match of the Day and think to yourself, 'I think I could've scored that chance.' But when you're young, you always want to play. For me, it's not about someone saying, 'We want you to play every game.' It's about being given the opportunity. That's more important.
We talk about players of yesteryear, guys who could play or couldn't play, and I think it's ridiculous to try to even compare people... The things that you can do in basketball today that you couldn't even do then... you can carry the ball; you walk all over the place.
True, I don't begin with an idea for a play - a thesis, in other words, to construct the play around. But I know a good deal about the nature of the characters. I know a great deal about their environment. And I more or less know what is going to happen in the play.
It's about how the players play and compete. I know everybody is going to equate that on winning or losing, like they always do, but if we play hard and compete well in the game .. then I think we are building on something.
I think that players that are better at reading people are much more dangerous and difficult to play against, because then you have to think more about what they might be thinking.
If studies come out and show that playing football is detrimental to your health for the long term, even for the short term, I think that's up to the players then to make the decision about whether they're going to play or not play.
One way to think about play, is as the process of finding new combinations for known things--combinations that may yield new formsof expression, new inventions, new discoveries, and new solutions....It's exactly what children's play seems to be about and explains why so many people have come to think that children's play is so important a part of childhood--and beyond.
That's what you dream about. How you not going to think about making the big play, the game-changing play?
You think about it sometimes. I try not to think about it too much. You think about you can't play forever.
I could go play some songs for two hours every week - play whatever I wanted to - and then also spend that time putting more music on my computer and getting into more things. It definitely informs the way that I think about music and I think in general, made me a more open-minded consumer of music.
I have been very fortunate to see some very clearly excellent players play well to the very ends of their career, where they opted not to play anymore. I'm talking about Adrian Beltre. I'm talking about Torii Hunter. I'm talking about David Ortiz, Chipper Jones, Derek Jeter. These are players who decided, 'You know, I've had enough. That's good.'
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