A Quote by Charlie Musselwhite

I love the music, but being on the road ain't a piece of cake, but it is real rewarding. You've got to - all those people can't come to my house, so I've got to go out on the road and play for them.
I like being on the road, living in hotels. While I've got a real nice house, I go crazy when I'm there.
I love the smell of Waffle House; it's the smell of freedom, being on the open road and knowing that ninety percent of the people eating around you are also on that road. Truck driver's, road-trippers, hangovers--those who don't live that monotonous life of society slavery.
I love being on the road, but to make a living as a road comic, you have to be on it most weeks out of the year. That's just too much for me. But I would love to be such a successful road comic that I don't have to go on it every week.
I'd say the key thing is to remain true to what originally got you into music. When I wrote 'Hallelujah,' it ignited me to do music because of the love and joy that I got from writing that song. Down the road, you get all of these opinions from people; just remember what got you started in the first place.
?s long as I've got an audience out there to play for, I'm going to continue to play. I have at least enough people that I can go out on the road for 10, 11 weeks at a time.
When I'm doing music and I'm on the road, I love it. But once I'm home, it's very difficult to go back out on the road.
I couldn't get a job to save my life. That's why I wrote 'Road to Paloma.' That got into Sundance and got into that scene, and that's how I got the role in 'The Red Road.'
I love the road. That's always been my goal. I've said that to many record labels. I want to make records. The road is my favorite. Some people hate the road, I love the road.
What's your road, man? - holyboy road, madman road, rainbow road, guppy road, any road. It's an anywhere road for anybody anyhow. Where body how?
Directing is mystifying. It's a long, long, skid on an icy road, and you do the best you can trying to stay on the road... If you're still here when you come out of the spin, it's a relief. But you've got to have the terror if you're going to do anything worthwhile.
I think my biggest achievement is still going out on the road and wanting to make music on the road. It doesn't matter to me that I am still travelling around because I just love everything about it, I love the lifestyle, and I love being on stage.
At least half of every city is wrong. From latitude 30 degrees to latitude 60, say, you've got to have the long axis of the house facing the sun. If the land is cut up into squares, that makes half of all houses wrong if they face the road. Even houses way in the country, and way off the road, face the bloody road. And from there, you just go wronger all the way.
Even at the end of the road, read the first sentence, there is a road. Even at the end of the road, a new road stretches out, endless and open, a road that may lead anywhere. To him who will find it, there is always a road.
When I got to France I realized I didn't know very much about food at all. I'd never had a real cake. I'd had those cakes from cake mixes or the ones that have a lot of baking powder in them. A really good French cake doesn't have anything like that in it - it's all egg power.
I love traveling. But I haven't had big, transformative experiences while on the road. When I go out on the road, it's to go out and get a story or do a promotional event.
You can work and scratch out a living in the theatre, but, if you want to make money, you've got to hit the road. You've got to play big houses of 2, 3 thousand seaters with your name above the bill, do popular fare and reach out to the audience such as it is.
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