A Quote by Charlie Parker

Bop is no love-child of jazz. — © Charlie Parker
Bop is no love-child of jazz.
Bop began with Jazz but one afternoon somewhere on a sidewalk maybe 1939, 1940, Dizzy Gillespie or Charlie Parker or Thelonious Monk was walking past a men's clothing store on 42nd Street or South Main in L.A. and from a loudspeaker they suddenly heard a wild impossible mistake in jazz that could only have been heard inside their own imaginary head, and that is a new art. Bop.
I got really sick of playing just, like, 'Bop-bop-bop-bada-bop-bop-bada-rapa-pah.' Just playing that 190-beats-per-minute punk-rock songs, I didn't feel it anymore. And I always loved melody - when you looked back on those early records, there's always a hook buried in there somewhere.
We not only grew up on Be-Bop; Be-Bop raised us. For my generation, Be-Bop came on like a light bulb going flash behind the eyes.For us, it was not only an intellectual movement, but a way of life. We walked, dressed, and rapped Be-Bop.
A-bop-bop-a-loom-op-a-lop-bop-boom.
It's just music. It's trying to play clean and looking for the pretty notes. The beat in a bop band is with the music, against it, behind it. It pushes it. It helps it. Help is the big thing. It has no continuity of beat, no steady chug-chug. Jazz has, and that's why bop is more flexible.
My dad was a huge big band and jazz fan, and we both sort of enjoyed be-bop, but man, it required so much skill to play it. And then there was cool jazz, the era that Miles, Coltrane, and Ornette ushered in, and that found a home in me. It turns out that that music was just really where I breathed.
Jazz is smooth and cool. Jazz is rage. Jazz flows like water. Jazz never seems to begin or end. Jazz isn't methodical, but jazz isn't messy either. Jazz is a conversation, a give and take. Jazz is the connection and communication between musicians. Jazz is abandon.
If a guy is gonna to play good bop, he has to have a sort of a bop soul.
All I want to say to people, man, is, "Yo, you see me walking down the street and I got a little bop in my walk, don't think because I've got a bop in my walk I'm trying to be all that. The bop in my walk is because I'm just like you, man. I bop when I walk." Know what I'm saying? I'm proud. If you see me smiling, standing straight up, gold around my neck, it's not because I'm conceited. It's because I'm proud of what I achieved. I made this. I worked hard for this. That's all this is about.
I was washing dishes at the Greyhound bus station at the time and I said, 'Awap bop a lup bop a wop bam boom, take 'em out!'
I think the people are just looking for freedom in music...There's a lot of she-bop she-bop going on out there. Maybe they're tired of that same old thing.
I love music, I love all kinds of music, particularly jazz. Jazz is an extension of America. There's no other country in the world that could have produced jazz.
I really love jazz, but I will never be a jazz musician as much as I dream. But, I think that the jazz music I love is there in my music.
'Cause it's jail, everyone thinks they're bad. So this one guy was like, 'What're you gonna do, 'Lean and Bop' for us?' I was cocky, I was like 'Oh yeah? It costs five racks to see me lean and bop, It costs five racks to see me lean and bop.' But deep down inside it was hurting. It's moments like that make me hate - I feel like I sold out.
I love jazz. So to me, there are two main types of jazz. There's dancing jazz, and then there's listening jazz. Listening jazz is like Thelonius Monk or John Coltrane, where it's a listening experience. So that's what I like; I like to make stuff that you listen to. It's not really meant to get you up; it's meant to get your mind focused. That's why you sit and listen to jazz. You dance to big band or whatever, but for the most part, you sit and listen to jazz. I think it comes from that aesthetic, trying to take that jazz listening experience and put it on hip-hop.
I used to tell my friends, 'Art Blakey is way more gangster than Eazy-E!' I ended up getting my friends into jazz, and all of a sudden there was this little group of kids in the middle of South Central that were all into hard-bop.
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