A Quote by Charlie Parker

I put quite a bit of study into the horn, that's true. In fact, the neighbors threatened to ask my mother to move once, you know. — © Charlie Parker
I put quite a bit of study into the horn, that's true. In fact, the neighbors threatened to ask my mother to move once, you know.
Read! Study never stops because publications never stop coming in. It's read and study. And think about what you're studying. Take it apart and put it together. Ask 'why?' And know the answers.
People who keep a large snake in their apartment building, which happens quite a bit, all of a sudden, within two summers, have a 14-foot animal that's eating adult rabbits, and needs quite a bit of room and quite a bit of heat. That's the animal that gets put in the back of a pick-up truck and dumped into the Florida Everglades or the city lake, or just left on a doorstep - again, it's quite often the animal that suffers.
You do have this circumstance in Karachi that because people know things are changing, the stakes are higher. Everyone is thinking, "My home is threatened, my job is threatened, my identity is threatened, my world is threatened." And that creates a very particular sort of climate, that is linked.
It is one thing to be a man's wife - quite another to be the mother of his children. In fact, once you become a mother, being a wife seems like a game you once played or a self-help book you were overly impressed with as a teenager that on second reading is puffy with common ideas. This was one of the many things I had learned since crossing over into the middle place - that sliver of time when childhood and parenthood overlap.
There is no theoretical study of motherhood. You know, before I became a mother, I did play a mother, but I was like - I was more thinking of my own mother. I was doing my mother.
Some days you get up and put the horn to your chops and it sounds pretty good and you win. Some days you try and nothing works and the horn wins. This goes on and on and then you die and the horn wins.
The way that actors talk about acting is generally quite punishing, and I think actors want to put forward the idea that they do all of this work because, you know, it's a post-De Niro world, when, largely, in fact, it's almost never true.
When I went to college, I thought I was going to become a professional musician. I was a French horn player, so I went to Yale to study with a very unusual French horn player.
We know that the world is not resting on the horn of a bull; we also know that it rests on the horn of lies!
I recently spent quite a bit of time in Sheffield, England, which is where I'm from. I wouldn't move back there, but it's funny when you spend a bit of time in the place where you were brought up. You kind of realize how that place has had quite a big effect on you or made you a certain way.
Human beings actually have quite a bit of willpower. They don't know too much about it, but they have quite a bit.
I have been injured 37 times, in seven cases seriously. I've already had a cornada (horn-wound) at stomach level. A bull's horn once struck me in the neck, just below the larynx. And once I was hit in the upper leg, where he damaged the femoral artery and the saphenous vein. Injuries are my medals. The last injury is my worst cornada. Now I've won the gold.
It's not me to toot my horn. The minute you toot your horn, it seems like society will try and disconnect your battery. And if you do not toot your horn, they'll try their darnedest to give you a horn to toot, or say that you should have a horn.
I have a philosophy that white people would be interested in Native Americans because, first of all, it's probably the only group as a country we all study and know the history and then never study again past the age of 10. So I think we have these things we believe are true, that are just not true about what an audience wants.
I once, when I was in the middle of making the move from Europe to the U.S., I started trying to put 'Them' and 'Conspiracy' into a novel. I got into three chapters in, and those who've seen that little bit said I really need to finish it, but time is an issue.
I think there's a lot of mythos about what's required in acting. The way that actors talk about acting is generally quite punishing, and I think actors want to put forward the idea that they do all of this work because, you know, it's a post-De Niro world, when, largely, in fact, it's almost never true.
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