A Quote by Charlie Plummer

It's just always wonderful to have a director who encourages you so much to focus on the present. — © Charlie Plummer
It's just always wonderful to have a director who encourages you so much to focus on the present.
To me, living in the present means being aware of your conscious choice to focus on the past, present or future - it is not necessarily having to focus on the present.
The nature of the video camera really makes you focus on the present. Since I have always been a diarist filmmaker, not one who stages scenes with actors, it has always been about the present moment.
I like a director that encourages me to be playful. I don't really like being restricted or controlled by a director.
There is a director for a reason, because a director knows what's best for the movie. You just give your director as much as you can to work with, and hopefully, the decisions they make are going to be great.
I thoroughly enjoyed shooting for 'Velaikkaran,' and I made a great friend in Sivakarthikeyan during the process. Also, it was wonderful working with director Mohan Raja. I have not seen a director who takes so much effort to get things the best way possible.
Independent means one thing to me: It means that regardless of the source of financing, the director's voice is extremely present. It's such a pretentious term, but it's auteurist cinema. Director-driven, personal, auteurist... Whatever word you want. It's where you feel the director, not a machine, at work. It doesn't matter where the money comes from. It matters how much freedom the director has to work with his or her team. That's how I personally define independent movies.
It's like everything in your life is wonderful, but you have so much wonderful - this is all going to sound horrible - but when you have so much wonderful, it isn't wonderful because you don't actually have time to enjoy it.
I've tried to shut myself off as much as possible from the hype of 'War Horse,' and just thought, 'OK, I'm going to focus on the character and focus on the story and focus on what I have to do.'
As much as I try to be present, it just doesn't really feel like reality. It feels like a fleeting thing. There's a million other incredibly wonderful girls that are much more talented than me that are out there all the time. So I'm just trying to appreciate it for what it is. But I don't want it to take on that feeling of pressure, because I don't know where that's gonna get me.
There are always myriad choices in life - some work out, some don't, and you just have to focus on the present.
I am a director because I believe in my own impulses and my own point of view, and that belief encourages me to tell stories that will move, provoke, and change people. But I became a director because I wanted to be a part of the world.
When you have a good director, it's just wonderful.
As an actor, I'm always playing solitary characters. But as a director, I'm always making ensemble movies, which focus on lots of people's lives and how they intertwine.
Miloš Forman is a great director; Jim Brooks is a wonderful writer and director.
Richard Lester is a wonderful director, a great comedy director, of course.
I've always laughed at the term "female director" or even "black director." A director's a director.
This site uses cookies to ensure you get the best experience. More info...
Got it!