A Quote by Charlie Puth

I leave Hollywood, I go somewhere else and make some music, and then, when I have to go back to work, I try and take as much that I get from outside Hollywood back with me.
This is a terrible confession to make, but after I left the Army I had a number of things to try. I had a great conceit to think that if all else failed I could always go to Hollywood. So when all else did fail I really went to Hollywood. And then I found out how wrong I was.
If I leave my computer, I'm probably not going to get back for hours. If I take a few minutes to answer questions and go web surfing, then guilt kicks in and I get back to work.
I thought I should forget Hollywood and go back to Hong Kong. I'm so lucky that finally Hollywood accepts my comedy fighting.
I don't get that many scripts. Back in Australia, I've pretty much done my own shows and really no work outside of that. It's only now that I'm starting to read some Hollywood film scripts, and I've read some really great ones.
Real cities have something else, some individual bony structure under the muck. Los Angeles has Hollywood -- and hates it. It ought to consider itself damn lucky. Without Hollywood it would be a mail order city. Everything in the catalogue you could get better somewhere else.
In Hollywood, they make movies like they make washing machines. It's a business. In Europe, the films are considered art. No producer would ever tell a director where to cut a film or how to re-write the script. I love Hollywood, but all of the time I have to go back to Europe.
When I left I knew I was gonna go back to WWE. But I needed to go because whatever I was doing wasn't working. I needed to take a chance on myself and get better. The only way to do that was take some risks and go somewhere.
Basically, my goal in life is to be David Hyde Pierce - go to Hollywood, make some money, come back and just win some Tony Awards.
I ask everyone - white Hollywood and black Hollywood - to get outside of your comfort zone and make friends. That's where they're going to learn from each other, and that's where they're going to make better movies and make Hollywood a better place.
Filmmakers, they tell me they want to make movies. I say, 'Good, go out, buy a $500 camera, get some friends and make a movie. Don't go to Hollywood. Stay wherever you are.'
Half of the modern world goes back as far as Pearl Jam. The real historians go back to U2. But they need to go back further. They have to go back to the '50s and '60s, where things started. That's how you get to be your own personality, by studying the masters. Rock and roll was white kids trying to make black music and failing, gloriously!
We're actors at the end of the day. I don't take it home with me. My experience outside of work, I love... when I hear wrap, it's the most exciting part of my day. I'm the first to have my make-up off, in the car, out. I've gotta go home. I want to get back to my life. I love it back there.
He convinced me - Fred Freeman - to go to Hollywood and we went to Hollywood to write sitcoms. Joey Bishop actually paid my way to Hollywood.
it's a funny thing about Hollywood. Once you've been out here awhile, it's hard to go someplace else, and it gets harder the longer you stay here. Takes some real propulsion to make you leave.
The Hollywood actor business can be a little shallow and can be a little more of a facade, and Nashville and the South, people are genuine and real, so if I can be based out there and go off to Hollywood to do a film or do another TV show and then fly back to Nashville, I'd be set.
Writing is like everything else: the more you do it the better you get. Don't try to perfect as you go along, just get to the end of the damn thing. Accept imperfections. Get it finished and then you can go back. If you try to polish every sentence there's a chance you'll never get past the first chapter.
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