A Quote by Charlie Puth
Marvin Gaye is an inspiration to me. He was one of the first Motown musicians that my mom and dad introduced me to, and I always thought it would be a good idea if I was ever an artist, and now I am, to make a record called 'Marvin Gaye.'
Related Quotes
I was raised on Marvin Gaye. Before I knew Babyface or anyone else, I knew Marvin Gaye. My mother played Marvin Gaye.
I was a big fan of Marvin Gaye, and when my parents were at work, I would get in front of the mirror, put my father's clothes on and pretend I was singing Marvin Gaye songs.
I actually get a lot of messages with people saying, 'What's a Marvin Gaye?' and, I mean... Oh, wow. I must be getting old, because someone who was born in 2004 just asked me what a Marvin Gaye was.
I would love to play Janis Gaye in the Marvin Gaye story. If they ever do the Marvin Gaye story, I would love to play Janis - just throwing that out there.
I listened to a lot of Marvin Gaye and Motown records.
When I wrote 'Marvin Gaye,' my whole intention was to make a record that people would put on a record player... and just instantly make out with each other.
As a kid, looking at Michael Jackson, Marvin Gaye, New Edition, the Temptations, Motown, people who I felt were huge artists, they made me wanna do something.
I love Motown, that whole era. Marvin Gaye, Smokey Robinson. I just put on Pandora, and put it on Motown, and it makes me smile; makes me smile so much.
If I could collaborate with any artist, I would want it to be like Marvin Gaye. Someone like who they wouldn't expect me to do a feature with, like, very iconic.
All the best British groups were inspired by black American music. With The Beatles, it was Motown and the blues. With me, it was a mixture of British styles and the more sophisticated Seventies soul of Barry White and Marvin Gaye.
When I joined, I was one of the first artists to sign on to the Motown West label when they opened their first studio in California. At the studio, you'd run into Stevie Wonder, you'd run into Marvin Gaye…it was very special.
Marvin Gaye was one of the coolest. I look to him as a style icon and as an artist.
The only recording studio was in Motown - it was called Tamla/Motown at that time and we used to audition there because Smokey Robinson was at that studio and Berry Gordy was the president. I remember asking Smokey to listen to my group and he did. For the first couple of years we were just singing background. We used to back up Marvin Gaye; Mary Wells was there then, Marv Johnson, the Marvelettes, Martha Reeves and the Vandellas, Junior Walker and the All-Stars.
I knew I wanted to make a concept record in song-cycle form, like my favorite Marvin Gaye records where everything just continuously flows.
My parents only played Isley Brothers, Marvin Gaye. That's when New Kids came out, and we wanted to jam that. My mom was like, "Put that thing off and put my damn record on". So from old school to '90s to recent, it's just always been there.
I was raised in a musical house. Marvin Gaye. Boyz II Men. Jodeci. My mom always played that Toni Braxton song, 'Un-Break My Heart.' When I hear that song, it still puts me right back in the car with her.
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