A Quote by Charlie Puth

I came out to L.A. to be a songwriter and not an artist, and I'm so excited because I always secretly wanted to be an artist. — © Charlie Puth
I came out to L.A. to be a songwriter and not an artist, and I'm so excited because I always secretly wanted to be an artist.
I always wanted to be an artist; being a songwriter for myself was always a must but being a songwriter for others has been a bonus.
I always say this to the young chefs and mean it: The customer is excited, he says you are an artist, but we are not, just craftspeople with a little talent. If the chef is an artist, he doesn’t succeed. Why? Because he is inspired today but not tomorrow. We cannot do that.
The main reason he wanted to be a recording artist was because it gives you much more freedom in your writing. You only have to please the artist and the artist is you so you can be more daring and experimental.
Because Ivy [Wilkes] is just starting out as an artist, I wanted to focus on [Georgia] O'Keeffe's experiences when she was just starting out. I suspect there is a difference between being an unknown artist and being a celebrated artist. When nobody knows your work, nobody except you really cares whether or not you paint.
At the end of the day, I'm an artist. I may make work and decide to do something political, but it will come out of an artist's position. It won't come out of society telling me I have to. If I do, it's because I choose, as an artist, to do it.
Why was the painting made? What ideas of the artist can we sense? Can the personality and sensitivity of the artist be felt when studying the work? What is the artist telling us about his or her feelings about the subject? What response do I get from the message of the artist? Do I know the artist better because of the painting?
I was worried that I, the artist Morimura, would have conflicts with the participating artists and develop a strenuous relationship with them. But the actual experience was completely the opposite. The artists accepted my requests rather positively, because it came from a fellow artist. I strongly feel that the fact that my being an artist avoided the usual curator vs artist tension, and led to creating a positive atmosphere as well as developing a solidarity amongst artists and building a community for artists.
From the beginning, I always felt artistically inclined. I always knew I wanted to be an artist of some sort, even if I didn't know what an artist was. I clung to the arts. I always watched 'High School Musical' and those type of things.
I've had a lot of successes as a songwriter, and I really have nothing to prove in that arena, so I'm just excited about the next challenge of pursuing this artist thing.
I always wanted to be an artist, writer and poet since I was seven, and one has to live long enough to evolve as an artist and do one's finest work.
I was never shielded from the realities of what it meant to be an artist and that made me afraid to be an artist because I wanted to know that my life was secure.
You are born an artist or you are not. And you stay an artist, dear, even if your voice is less of a fireworks. The artist is always there.
The first choice an artist makes is precisely to be an artist, and if he chooses to be an artist it is in consideration of what he is himself and because of a certain idea he has of art
I do pinch myself, like when shows in non-English speaking countries are sold out, and people are singing my lyrics. I don't think I'll ever lose that; I'm always appreciative every day of the support I have as an artist, because I'm not a commercial artist.
There's no diploma in the world that declares you as an artist—it's not like becoming a doctor. You can declare yourself an artist and then figure out how to be an artist.
What an artist is trying to do for people is bring them closer to something, because of course art is about sharing. You wouldn't be an artist unless you wanted to share an experience, a thought.
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