A Quote by Charlie Puth

I didn't start singing until I was 16. I was afraid to sing in front of people. — © Charlie Puth
I didn't start singing until I was 16. I was afraid to sing in front of people.
You start singing by singing what you hear. So everyone, when they first start singing, they naturally are singing like whatever they're hearing, because that's the only way you learned how to sing. So when I was growing up on Lauryn Hill, when I started singing her songs, I literally trained my voice to be able to do runs.
I've been singing ever since I was little, but I didn't start taking it seriously until I was about 15 or 16.
I didn't understand that I could sing until I was like 11 or 12. My mom heard me singing around the house and she said, What are you doing? You really can sing! So then I started going to school and singing to the girls.
The audience keeps singing, keeps making my case, and I just keep strumming until I get close enough to see her eyes. And then I start singing the chorus. Right to her. And she smiles at me, and it’s like we’re the only two people out here, the only ones who know what’s happening. Which is that this song we’re all singing together is being rewritten. It’s no longer an angry plea shouted to the void. Right here, on this stage, in front of eighty thousand people, it’s becoming something else. This is our new vow.
What's cool about the beatboxing is I was so afraid to sing in front of my peers, my parents, anybody. I just wouldn't do it. So in sixth grade, I would turn to beatboxing because it made me feel better. Like, I can beatbox 'Drop It Like It's Hot.' Doing that a bunch of times eventually gave me the confidence to sing in front of people.
Well, at first the band were simply called Horsepower, but a lot of people thought that was something to do with heroin. That really pissed me off, so I decided to put something in front of it to distract them. “I got '16' from a traditional American folk song, where a man is singing about his dead wife and 16 black horses are pulling her casket up to the cemetery. I liked the image of 16 working horses.
I remember him watching me through the crack of a door singing with a hairbrush. I was in front of his mirror. I think he wanted me to sing. He would get me on the table and make me sing sometimes or play the piano. He was very encouraging on that front.
I was still afraid to sing in front of people before 'Glee.'
Writing is a very intimate thing, especially when you write lyrics and sing them in front of someone for the first time. It's like a really embarrassing situation. To me, singing is almost like crying, and you have to really know someone before you can start crying in front of them.
When I sing, I play in my mind; the minute I stop singing orally, I start to sing by playing Lucille.
I started singing in coffeehouses when I was still in high school, in Santa Barbara. I took a job washing dishes and busing tables in the coffeehouse, so I could be there, and would beg permission to sing harmony with the guy who was singing onstage. That was the first time I ever got on a stage in front of people.
I'll probably do a lot of acting first, then go to singing. but I am going to definitely sing someday. So when I do start singing, buy my album!
I'll probably do a lot of acting first, then go to singing, but I am going to definitely sing someday. So when I do start singing, buy my album!
The things we sing about are timeless. Political affairs and social situations come and go. But if you're singing about empowerment and not playing by the rules, you can sing about them until you can't sing anymore.
As a child, all I knew was that people kept asking me to sing, and because I liked to please, I would sing. It wasn't until my dad told me that my singing made him happy that I began to think my voice might be good.
I love making people sing. I love group singing, sacred harp singing, choral singing, recordings of people singing sea shanties, work songs, prison songs - how people just sang to get through things.
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