A Quote by Charlie Puth

I'm down to act a little bit - go on a couple auditions or make one of those three-second cameos with one line. — © Charlie Puth
I'm down to act a little bit - go on a couple auditions or make one of those three-second cameos with one line.
It's only in acting where I've heard in auditions, 'Can you black it up a little bit? Can you make her a little bit more urban?' And it's just like, 'What?' I don't even know the word for that.
It just so happens that when I was, like, 19 or 20, I got a couple of auditions and got a couple parts with good people. Of the thousands of auditions where you don't get the part, I've done a couple of jobs where you do it and you're like, "Okay, this is good."
Cigarettes and chocolate milk These are just a couple of my cravings Everything it seems I like's a little bit stronger A little bit thicker A little bit harmful for me.
Just by coincidence, Senator Teddy Kennedy and I, in the last couple of days, after several months of negotiations, have reached an agreement for an immigration proposal that we will be putting out next week, ... our proposal is along the lines of make them pay a fine of a couple thousand dollars, make them work for three years, and after three years they can get in the back of the line for a green card and then eventually become citizens.
Marvin Bell always looked very closely at how lines could break, how you could put over one line into the second line. How you could stop the line two or three times within the line: You could make it stop.
I've gotten auditions with as little as two hours' notice. Those don't go so well!
I like to always stop with a couple of pages that I haven't - that are just raw copy, where I haven't touched it, I haven't tried to revise it, I haven't tried to polish it. It's like having a little bit of a runway. The next day when you sit down, you have the comfort of saying, well, I have got a little bit here, used to be in the typewriter. Now it's in the magic box, the computer.
I don't go to an office, so I write at home. I like to write in the morning, if possible; that's when my mind is freshest. I might write for a couple of hours, and then I head out to have lunch and read the paper. Then I write for a little bit longer if I can, then probably go to the library or make some phone calls. Every day is a little bit different. I'm not highly routinized, so I spend a lot of time wandering around New York City with my laptop in my bag, wondering where I'm going to end up next. It's a fairly idyllic life for someone who likes writing.
I try to make everything I write a little bit different. Those songs that go, 'I love you so much and you love me,' they're boring. If I'm going to write a love song, it's going to be a little bit tortuous.
I find more people want to eat a little less. My generation, we're all watching our figures. They want to go to the bar and eat a few snacks, have a couple of cocktails or glasses of wine, and go home. People don't sit down at the table and have a whole three or four courses.
There's the exciting part about comedy - if you catch an act just before they go mainstream, that's the best. After they hit the mainstream, everything gets watered down a little bit.
I make myself lie down every afternoon; otherwise I'll be too exhausted by the night-time. If I can't nap, I'll watch a little bit of TV and just relax for two or three hours.
With independents[films] you sort of make them on the go and there is that little bit more creative freedom. You don't have the money to slow down!
I've got a couple of grays in my beard and maybe a little salt and pepper in my hair. If I let my hair down and go through it, you'd see a good bit of grays. Maybe from the stress of the road and the crazy business I'm in.
I was able to go over [Saxophone Competition] and work a little more in Europe. I'm thankful that those of kinds of things. Simultaneously, some nice things did come in. I got a nice festival that came in, in Virginia through that. There was a club that opened in DC in the famous Willard Hotel near the White House. And the club was called The Nest. I played there a few nights. Some musicians in Philly and D.C. kind of brought me down and got me on a couple things. So things opened up a little bit.
I will admit I am a little bit of a line fudger. I will change the line a bit to make it feel better in my mouth. That is something they'll allow you to do on 'Veep' unless it's a particular joke where they're like, 'No, it just sounds better like this.' But with a lot of network shows, the script is law; you cannot change it all.
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