A Quote by Charlie Rich
I had to make a drastic change at Sun Records and I didn't really appreciate country music until I went there.
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Most of the time I don't force records. I'm not one of these guys that put records out every nine, 10 months. I'm pretty long between records. I've only had a few in my career. I kind of wait until I feel I have really strong songs. I don't know if they're going to change the world or not, but I dig 'em, and if I dig 'em we make a record.
Even though I've had 20-some country No. 1 records, I still have a hard time convincing a lot of these people in the Country Music Association and the Academy of Country Music that I love country music.
It is not that I don't like contemporary country music because I do. I love it. I have recorded a lot and have had great success recording records that have not been very traditional country records.
Up until the rise of electronic music, if you were a musician in Portugal or Germany or Italy or Japan, and you didn't sing in English, you really were limited: You could be successful in the country where people understood your language. The world of electronic music is completely international. You have DJs from Finland making huge records for people in New Zealand, DJs in South Korea making huge records for people in France. By the fact that it doesn't cost anything to make, and that it transcends language, nation it accidentally accomplishes a lot of really remarkable things.
I think we have to be accepting of one another, and we have to appreciate what every culture has given us and name that and accept that and empower and encourage that. I really think that's what it comes down to. The images won't change until we make them change.
I'm going to make country records back to back for a while - until country radio doesn't want me anymore or until I get my own theater in Branson - one of the two.
I never really had any trouble selling my music to country audiences. They appreciate honest lyrics and straightforward melodies, and that's what I do.
Every country I've had different hit records, so we have to change the set to fit the country.
Elvis deserves a lot of credit for bringing the blues to middle America, not the Vegas stuff. The early stuff, The Sun records, and the first few RCA records. He was wonderful, he had the power, the drive, and he was so dedicated to his music.
I appreciate Drake's music, I appreciate Future's music, I appreciate Lil Durk's music. I appreciate Uzi, Meek Mill, I appreciate Migos.
One of my favourite things about country music is that, at least until recently, you could always count on a solid story, a punchline and a pun. I think it has that in common with hip hop, where they're not afraid of wordplay and I really appreciate that.
People think it is all about country music, and I know a lot of country music has come out of there, but like Blonde on Blonde by Bob Dillon was recorded there. A lot of great records; R&B records, jazz records. It's a lot of great players and great studios.
My goal is really to continue to make music. I really don't make music to have platinum records and all that kind of stuff. I've been there. I do it because I love music, and I love uplifting people through my music. That's my real goal.
Sometimes drastic change requires drastic measures.
It really wasn't until I realized that country music had a whole underworld of songwriters that I dug into it.
Good economic policy requires not so much the bravado to implement drastic change as the strength and wisdom to make reasonable trade-offs over the many years it takes to transform a country's standard of living.
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