A Quote by Charlie Sheen

Let's hook up and just bring fiery death. — © Charlie Sheen
Let's hook up and just bring fiery death.
When I first started experimenting with harmonics, I'd sometimes hook up two distortion boxes just to get my strings 'frying,' which helped bring out the harmonics.
Faith, sympathy - fiery faith and fiery sympathy! Life is nothing, death is nothing, hunger nothing, cold nothing. Glory unto the Lord - march on, the Lord is our General. Do not look back to see who falls - forward - onward! Thus and thus we shall go on, brethren. One falls, and another takes up the work
I know people think I'm just the Diego Sanchez from the Gilbert Melendez fight. Hook, hook, hook. A crazy brawler. But I realized the best possible fighter would not get hit. He'd close the distance and minimize the chances of the lights going out. I want to fight as long as I can and be as healthy as I can.
I went to about one frat party a year. A year seemed to be enough time for me to forget how much I didn't like frat parties, and my friends would eventually convince me to go to one. Cheap beer, guys looking for a quick hook-up, and girls playing 'dumb' to get in on the hook-up. I just never got into it.
Especially when I first came up here to New York, everybody wanted to hook me up with this guy who's Prince's sound engineer. Almost everybody wanted me to hook up with him and go to L.A. and do all that just because that's the route Prince took. And for a while I was listening to all of that. "Yeah, if it's good enough for Prince, it should be good enough for me." But I mean, that's not the case, really. Prince is a different person than I am. You just got to find the right person for you, whoever you click with.
When a newspaper columnist wants to write about a novel, the rule is that you're supposed to have a 'hook,' an excuse, a timely reason to bring up the book in question.
It's hard being a woman in this industry, period. A lot of the time, guys make you feel like you need to hook up with them - especially as an artist - producers and other artists trying to collaborate with them, they make you kinda feel sometimes you need to hook up with them or flirt with them just to make a song.
Someone's killed 100,000 people. We're almost going, "Well done! You killed 100,000 people? You must get up very early in the morning! I can't even get down the gym. Your diary must look odd: 'Get up in the morning, death, death, death, death, death, death, death - lunch - death, death, death - afternoon tea - death, death, death - quick shower ...' "
If you're gonna get punched in the face, elbowed, cut up, busted up, injured, have to cut weight, have to bring yourself to the brink of death to show up the next day and try to put on the performance of your life, you've gotta love it. And if I don't love it, it's just not worth it to me.
My voice isn't an instrument I can just hang up on a hook.
No doubt many people have the feeling that to talk about death at all is, in effect, to conjure it up mentally, to bring it closer in such a way that one has to face up to the inevitability of one's own eventual demise. So, to spare ourselves this psychological trauma, we decide just to try to avoid the topic as much as possible.
I used to have a lot of recurring dreams about Captain Hook when I was a little kid, which I remember very vividly. But I think I just really liked Peter Pan a lot, and 'Hook' was my favorite movie.
The 'I Wanna Dance' hook actually came to me when I was in bed and just in that lucid moment between consciousness and sleep... I jumped out of bed and recorded a voice note of the vocal hook and I went into the studio the next day fully inspired.
I'm either thought of as ethereal or fiery. And maybe that's the interesting thing about red hair: there's that fiery Renaissance connotation and the ethereal.
I don't necessarily view death as something negative. Death gives meaning to life. Living in fear of death is living in denial. Actually, it's not really living at all, because there is no life without death. It's two sides of the one. You can't pick up one side and say, I'm just going to use the 'heads' side. No. It doesn't work like that. You have to pick up both sides because nothing is promised to anyone in this world besides death.
Imagine trying to relive your worst break-up, your worst fight, the most painful death of a loved one, and just really relive it step by step, and bring it up and apply it to the scene you're in.
This site uses cookies to ensure you get the best experience. More info...
Got it!