A Quote by Charlie Sykes

Reagan wrote out many of his radio commentaries and newspaper articles as well as many of his own speeches. He wrote poetry, short stories, and letters. Trump, in his own hand, writes 140-character tweets.
My dad played a character on the radio called 'Parkyakarkus.' A Greek-dialect comedian. He did Friars' roasts and wrote material and made people laugh that way. But he wrote his own shows with other writers.
I wrote poetry before I wrote songs, and T.S. Eliot was my inspiration. I love his honesty and try to bring that to my own songwriting.
It was a particular pleasure to examine President Ronald Reagan's leadership. I experienced it first-hand, as a member of his administration in several capacities as well as his 1984 reelection campaign staff. The most common misconception is that Reagan was a bystander to his own career.
Sometimes he would advise me to read poetry, and would send me in his letters quantities of verses and whole poems, which he wrote from memory. 'Read poetry,' he wrote: 'poetry makes men better.' How often, in my later life, I realized the truth of this remark of his! Read poetry: it makes men better.
I used to write my own versions of famous tales, such as William Tell or Robin Hood, and illustrate them myself, too. When I entered my teens, I got more into horror and science fiction and wrote a lot of short stories. A literary education complicated things and for many years I wrote nothing but poetry. Then I got back to story-telling.
I want my thoughts to be an incentive for the reader to give his or her own thoughts. After I wrote 'Proust and the Squid,' I received truly hundreds of letters - I'm still receiving them - and the letters that I wrote back helped me formulate my thinking around things I know are important to others.
Mr. Trump has his own style, his own technique, his own uniqueness.It's not something I probably would have done, but, again, that's the way he has evolved to this point in his life. And it's worked well for him. And I expect you're going to see more of that.
Churchill wrote his own speeches. When a leader does that, he becomes emotionally invested with his utterances...If Churchill had had a speech write in 1940, Britain would be speaking German today.
Everyone his own cinematographer. His own stream-of-consciousness e-mail poet. His own nightclub DJ. His own political columnist. His own biographer of his top-10 friends!
I wrote a huge number of letters that spring: one a week to Naoko, several to Reiko, and several more to Midori. I wrote letters in the classroom, I wrote letters at my desk at home with Seagull in my lap, I wrote letters at empty tables during my breaks at the Italian restaurant. It was as if I were writing letters to hold together the pieces of my crumbling life.
I asked Ring Lardner the other day how he writes his short stories, and he said he wrote a few widely separated words or phrases on a piece of paper and then went back and filled in the spaces.
In his youth, Wordsworth sympathized with the French Revolution, went to France, wrote good poetry and had a natural daughter. At this period, he was a bad man. Then he became good, abandoned his daughter, adopted correct principles and wrote bad poetry.
And his paths shall be many, and who shall know his name, for he shall be beorn among us many times, in many guises, as he has been and ever will be, time without end. His coming shall be like the sharp edge of the plow, turning our lives in furrows form out of the places where we lie in our silence. The breaker of binds; the forger of chains. The maker of futures; the unshaper of destiny. -from Commentaries on the Prophecies of the Dragon, by Jurith Dorine, Right Hand to the Queen of Almoren, 742 AB, the Third Age
A person whose desires and impulses are his own - are the expression of his own nature, as it has been developed and modified by his own culture - is said to have a character. One whose desires and impulses are not his own, has no character, no more than a steam-engine has character.
As with many people, Charles, who could not talk, wrote with fullness. He set down his loneliness and his perplexities, and he put on paper many things he did not know about himself.
Ho Kyuns poetry is in the tradition of his master, the incomparable Tu Fu, while remaining fully his own. Writing nine centuries later, Hos poetry strikes many parallels--the experiences of war and exile and constant struggle-- and his voice is similarly humane. This is rich and enlightening reading.
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