A Quote by Charlie Trotter
I got on a Dostoyevsky kick right after college. I started with 'Crime and Punishment,' went on to 'The Possessed' and then 'The Brothers Karamazov' and 'The Idiot.'
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When I got into "Anna Karenina" and "Brothers Karamazov" and "Crime and Punishment," that was the stuff that - that had a big effect on me, because it was so psychological.
There is one other book, that can teach you everything you need to know about life... it's The Brothers Karamazov by Fyodor Dostoyevsky, but that's not enough anymore.
Dostoyevsky was an influence - what's his name, the saintly priest in 'The Brothers Karamazov,' Father Zossima... 'Kiss the earth,' he'd say. Love everything.
I just can't imagine my life without Dostoevsky and The Brothers Karamazov. I can spin off of that and talk about Crime and Punishment and Tolstoy. I could talk about other novels, but for me it's Dostoevsky. His sheer size and grandeur, his sacramentality, his ecclesiology, and his sense of the human predicament are as powerful as it gets. Can't imagine not reading the Russians.
He’s bound to have done something,” Nobby repeated. In this he was echoing the Patrician’s view of crime and punishment. If there was a crime, there should be punishment. If the specific criminal should be involved in the punishment process then this was a happy accident, but if not then any criminal would do, and since everyone was undoubtedly guilty of something, the net result was that, in general terms, justice was done.
Governments have tried to stop crime through punishment throughout the ages, but crime continued in the past punishment remains. Crime can only be stopped through a preventive approach in the schools. You teach the students Transcendental Meditation, and right away they'll begin using their full brain physiology sensible and they will not get sidetracked into wrong things.
I started at 'The Post' as an intern in 2000 right after I got out of college.
No punishment has ever possessed enough power of deterrence to prevent the commission of crimes. On the contrary, whatever the punishment, once a specific crime has appeared for the first time, its reappearance is more likely than its initial emergence could ever have been.
I started doing martial arts since I was 12, and then I went into wrestling in college. After I met John Hackleman, I started getting really serious about it, and after a few amateur fights, I got an invite to the UFC and have been in love with it ever since.
I got to Broadway a year after I came to New York. I starred in 'Butterflies Are Free' and got a Tony for it. Right out of the gate. Maybe that's why I wasn't very gracious about it. I wasn't driven. And right after 'Butterflies Are Free', I got married and then started a family. I always wanted that.
When I started out in the duck-call business, my college buddies would come in and say, 'Robertson, you have a college degree. What are you doing?' Then they drove away saying, 'What an idiot!' Thirty-five years later, they're saying, 'The sucker's a genius!'
I've actually seen guys who I considered relatively stupid college coaches, then go to the NFL, and sanctimoniously think they understand that something the rest of us couldn't perceive. They're an idiot before, they're an idiot now, and they'll be an idiot afterwords. It's mind-numbing.
I first started pro wrestling right after I got out of college at the University of Michigan, so I was in that frame of mind where I wanted to wrestle with my brother.
I think one of the keys to any crime-prevention program that's got to be developed is to focus on punishment - to let people know that there is a sanction and a punishment for hurting others.
We've got to make sure that the young, violent, serious juvenile offender is punished, that it's fair punishment, that it's punishment that fits the crime and that is understood and that is anticipated and expected.
I got into one of the Scottish classical styles called piobaireachd, which is a very old music that started around the 1700s or something. I really got into this music. After that, I started to compose bagpipe music in my notations. Then I started building bagpipes by myself, and then I started to perform with the instrument myself in the 1980s.
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