A Quote by Charlie Trotter
I'm really not that comfortable with people. I mean, I love individuals, but I'm not very social.
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I'm very comfortable speaking to millions of people, but not comfortable in a small, intimate social setting. Like cocktail hour. I get very panicky.
For me, love is very non-academic. Love, it’s a very physical thing. I don’t mean physical in terms of - I mean, it can be sexual. But those moments when I’m aware of the fact that I love someone or love something, it really manifests physically.
Few people know what they mean when they say, "I love you." ... Well, what does the word love mean? It means total interest. I think the reason very few people really fall in love with anyone is they're not willing to pay the price. The price is you have to adjust yourself to them.
People are wonderful. I love individuals. I hate groups of people. I hate a group of people with a 'common purpose'. 'Cause pretty soon they have little hats. And armbands. And fight songs. And a list of people they're going to visit at 3am. So, I dislike and despise groups of people but I love individuals. Every person you look at; you can see the universe in their eyes, if you're really looking.
Music is pretty intimate stuff and I can only work with very few people: Gonzalez being one, Mocky being another and, on a completely different level, Broken Social Scene. With Broken Social Scene it's not one-on-one, it's a one-on-12. It's very healthy, very comfortable, like a big pot luck supper among old friends.
Music is pretty intimate stuff and I can only work with very few people: Gonzalez being one, Mocky being another and, on a completely different level, Broken Social Scene. With Broken Social Scene its not one-on-one, its a one-on-12. Its very healthy, very comfortable, like a big pot luck supper among old friends.
I have a very genuine care for individuals; I have a very genuine sense of the power of individuals to make a difference, a very genuine belief that people matter, a very genuine belief of wanting the very best for individuals.
Getting or giving anything is about social skills. The world is about being comfortable where you are and making people comfortable, and that's what social skills are
Very few people mate for life with the people they fall for at twelve. Doesn't mean is isn't real, doesn't mean it doesn't hurt, doesn't mean it doesn't matter, but basically, we're talking a practice swing in the big game of love.
I find it incredibly boring when people are mean about some individuals, especially if the individual has no power. I can understand how someone deems it necessary if somebody is in power to tear them down - I think that's really crucial. I make a lot of mean jokes about myself; as a theme, suffering seems to me a very interesting thing for comedy, but not the suffering of a particular individual.
I hate the concept of the clog! It's fake, it's ugly, and it's not even comfortable! And I hate the whole concept of comfort! It's like when people say, 'Well, we're not really in love, but we're in a comfortable relationship.' You're abandoning a lot of ideas when you are too into comfort. 'Comfy'-that's one of the worst words! I just picture a woman feeling bad, with a big bottle of alcohol, really puffy. It's really depressing, but she likes her life because she has comfortable clogs.
A film set is really delicate and people treat you very very well if you're an actor because they want you to be as comfortable as possible for you to do your work, but it really is just one in a team of many and usually 150 people.
It's the same thing in a way with privacy. You can say "I'm not doing anything wrong, therefore this doesn't concern me," but what does it mean about our society if we're all being watched and recorded? The personal experience - negotiating this as individuals - doesn't describe the social reality and the broader social costs.
I want people to do what they want to do because when they feel comfortable it seems to translate better on screen. It is when you put people in a straitjacket that it doesn't seem to translate very well at all. The individuals I work with are usually people I know.
Because books are written by individuals, it has often made knowledge seem like the product of individuals, even though everybody has always understood that individuals are working within the social network.
In personal conversations between director and actor, the male directors that I've worked with are just as emotional. Maybe it's because I had to start having very intimate conversations with adult men at a very young age in order to get the work, but I'm really comfortable with dudes. I mean, we push boundaries in this business in terms of getting to know people.
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