A Quote by Charlie Watts
A lot of our tracks have sounded a lot better than I thought they would because of recording, mixing, and because I probably didn't hear it that way. I'm not a songwriter.
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To actually put the time and energy into an album that would be better than Pull would be a hell of a lot of work, because I took that band really seriously, way more seriously than people took us. If you go back and listen to the records, you can hear it.
I really thought the process and what I'm used to doing on film would be different. I thought that because I wouldn't have the same amount of time, I wouldn't do all of the tracks that I like to do or the lighting that it takes. And then, I got there and realized that I don't know any other way. I just do all that stuff really, really fast and under a lot of stress.
I voted for the Patient Protection and Affordable Care Act, not because I thought it was the best we could do, but because I thought it was a whole lot better than the current system.
The music you play, it's never intended for other people, so it's quite amazing dealing with stuff now, because obviously any tracks I write, a lot of folks are going to hear. It definitely plays on my mind quite a lot.
When I listen to Airplanes record, it takes me back. I remember a lot of my thought processes when I was 20 or 21, writing those songs and recording that record. I wonder what I was thinking when I was trying to say a particular thing. I hear some of the weird little nuances in the recording; I can hear what the room sounded like. I remember what it smelled like. I can remember sitting up in guitarist Chris Walla's bedroom and for the first time in my life having this realization like, "Maybe I can do this. Maybe I can make music that in some capacity people will enjoy and come see me play."
There's always that possibility. But, it would take a hell of a lot of work. Because unlike a movie where you just have to do a little ADR and then some mixing, we've actually got to bring the orchestra back because there is music, as you probably noticed, right the way through the film so you have to orchestrate all of that extra time.
When you go out and audition, you're going to hear a lot of 'No's.' As weird as it may sound, you almost have to love hearing 'no' because you're going to hear it way more than you hear 'yes'.
I've managed to keep a lot of respect in radio because I write my own stuff. I've had a lot of success as a singer/songwriter. I think if you establish yourself that way, it is harder to throw you out with the bathwater.
We underestimate teenagers at our peril. Even the dismissive thing out on the street--look at what they're wearing. Then we'll hear stories about how a toddler fell on the tracks, and it's often a teenager who comes to the rescue and walks away because he or she doesn't want any credit. I recognize it because I've written books for teenagers--it's basically that they feel things more than adults do. They want things more than you think. They want things with greater depth than you think they do. Teenagers have got a lot of soul that adults have forgotten they have within themselves.
I had no idea I was gonna be a songwriter, because I was too young to know my own evolution. I started playing the violin as a way to express myself because I didn't have a lot of vocabulary when I was 14.
I think my personality is not because I was born this way but because I was raised this way. I was raised with a lot of fun, a lot of joy, a lot of happiness, a lot of passion, and that's how my family is.
When I made '1983,' there were a bunch of tracks that were in the early drafts that didn't make it because they just sounded like tracks for rappers, and that's not really the sound I look for when I produce my own albums.
Well technology has changed a lot of things, making it possible for just about anyone to make music. But not everybody is a songwriter, so that puts me in a completely different ballpark than the other DJs out here that are writing and producing tracks. I don't stop at tracks, I try to complete the whole package with the song. So working at that level has put me in a completely different place.
Well 'The Pod F. Tompkast,' as much as I love the result of it, was a really labor intensive show. There's a lot of writing, there's a lot of scheduling, there's a lot of recording - it's not a show that we can necessarily do in one day because there are so many moving parts to it.
I'm ashamed to say it, but I watch YouTube videos of our live shows, wondering if it actually sounded the way it sounded when I was playing it, and the consistent thing I see is that you can feel the anxiety and the tension and it's over-aggressive a lot of the time.
Some people don't like my songs because they think they're too simple or easy or not that thought-out. I feel like the way I write is pretty simple, in some ways, because I'm trying to connect. I want a lot of people to hear it, and be moved in some way.
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