A Quote by Charlie Worsham

My first place in Nashville was like Animal House. The whole band lived under one roof, and most nights the jam sessions ended close to sunrise. — © Charlie Worsham
My first place in Nashville was like Animal House. The whole band lived under one roof, and most nights the jam sessions ended close to sunrise.
My first place in Nashville was like 'Animal House.' The whole band lived under one roof, and most nights the jam sessions ended close to sunrise.
For my first restaurant, I wanted to do something very special and close to my heart. Nashville felt like the place.
Me and my dad used to go to these jam sessions and open mic nights, but I was always scared of singing on stage. It felt different to rapping - more pressured.
When I went, I hadn't had very much time to have hopes or expectations. I knew very little about Nashville, and I think that was probably good. When I was there, I got really lucky - I ended up with people that just were amazing musicians, and that's the Nashville that I experienced. That is a big part of Nashville - there's a lot of musicians, and that makes it a very special place and shapes the city.
The first year I moved to Nashville, I started playing these songwriter nights with people like Nickel Creek, Duncan Sheik, and even Ryan Adams... That was the first place I really started playing music, and I had to really step up my game. Really quick. Or get kicked off the stage.
As far as in my adult life, it kinda started (with) writing first 'cause I went to school in Nashville. I mean, not Nashville but close to Nashville, and I met my managers in L.A. at a convention randomly. And then, it kinda just started from there. And then, I got my publishing deal.
'Band Played On' is a good one. Barbara Orbison, who was Roy's wife, was involved in publishing in Nashville because she oversaw Roy's publishing, and she had a company in Nashville. She had a whole bunch of writers assembled, and they got together every day and wrote, and they write for everybody in Nashville.
One of the reasons I wanted to do a show about Nashville in Nashville was because when I lived here, the hardest thing to go out and hear was country music. Country was taking place inside the studio and it was an export.
The coolest thing for me to do was listen to Pearl Jam's 'Ten,' Nirvana's 'Nevermind,' or Soundgarden and play along to it and think about how awesome it would be to be in one of those bands and be up on stage. When I'd close my eyes at 13 and dream of being in Pearl Jam or one of those bands, it was exactly like how it is now with the band I'm in.
I always imagined a writer was someone who lived in an attic in Paris, but my mum instilled in me a belief that I could do anything - so I ended up writing my first novel while working nights as a news reporter.
UNDERSTANDING, n. A cerebral secretion that enables one having it to know a house from a horse by the roof on the house. Its nature and laws have been exhaustively expounded by Locke, who rode a house, and Kant, who lived in a horse.
Animal experiments occupy a central place in the material and spiritual edifice of our whole civilization. We are speaking here of one of those foundation stones whose removal could cause the whole house to collapse.
The first comedy screenplay that I wrote was Animal House and I always thought I could and should be a director but no one was about to give me that opportunity on Animal House.
I was producing demos for a band that was called Physical Ed. Out of production of demos I went and did a few jam sessions with then in Northern California clubs, but I never actually toured with them.
She had lived in that house fourteen years, and every year she had demanded of John that she be given a pet of some strange exotic breed. Not that she did not have enough animals. She had collected several wild and broken animals that, in a way, had become exotic by their breaking. Their roof would have collapsed from the number of birds who might have lived there if the desert hadn't killed three- quarters of those that tried to cross it. Still every animal that came within a certain radius of that house was given a welcome-the tame, the half born, the wild, the wounded.
L.A. has always been hated on so much. I remember, the first time I went to New York, I was at jam sessions, and people would hear me and come up to me and be like, 'Oh wow, you're from L.A.? Really?'
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