A Quote by Charlie Worsham

No matter what does, or doesn't, happen for me in the music industry, getting to play the Opry as a kid was always be a highlight of mine. — © Charlie Worsham
No matter what does, or doesn't, happen for me in the music industry, getting to play the Opry as a kid was always be a highlight of mine.
I always wanted to be a musician from when I was kid. It was always a massive dream of mine. School was also really really important to me and having an education was top of my priority. So I really wanted to have a degree before I tried anything in the music industry.
I'm just another Opry entertainer. I'm not the start of the Opry, and I'm not the ending. I'm not the Alpha, and I'm not the Omega. It's been a pleasure taking part in the Opry and country music these many years. I'm part of a big operation.
I like to listen to Congolese music because when I was a kid with my father, he took me to play some tournaments in the car and always put on this music. I always fell asleep with this music so it's good things that I remember.
My dad wanted me to play when I was a kid, so I learned to play the guitar. I pursued a career in music because I love it so much and I enjoy what it does to those who hear it.
As I was a kid, I had a bunch of musicians, they always told me that I should listen to all styles of music and try to play all styles and be authentic at it, if I can, because you never know who's gonna call you. This was coming from fellow horn players who would get the call to play with different types of people. Since I was a kid, that was just something I was always interested in.
The way the music comes to you starts to affect how you listen to music. When you're a kid, it's 'Does it rock? Does it make me feel good? Does it make me tap my feet? Does it make me go to sleep?'
I'm like a little kid that has a basketball and don't want nobody else to play with it. "It's mine, it's mine, and it's mine!" When it comes to sneakers.
Some guys that know me from when I was a kid say "My son, oh he's just like your father." It's just a natural part of our lives. But, within the music industry and within the industry of the critiques of music, where it becomes "Ziggy's music is not as good as Bob's music," I don't understand. But I don't really pay much attention to that because I'm just expressing myself.
When I was growing up, Nashville was the place to go if you had songs to sell and thought you had talent and wanted to tour and be on Grand Ole Opry [radio show]. It was the big deal back in those days to play the Grand Ole Opry. And you could travel around the world saying, "Hi, I'm Willie from the Grand Ole Opry".
What I loved about country music when I was a kid was the Grand Ole Opry, was 'Hee Haw,' was 360 degrees of entertainment.
What I loved about country music when I was a kid was the Grand Ole Opry, was Hee Haw, was 360 degrees of entertainment.
Music has always been my first love, so making music happen is a big priority of mine.
Music goes way back before language does. And music is like the key to a whole spiritual existence which this society doesn't even talk about. We know it's there. The Grateful Dead plays at religious services essentially. We play at the religious services of the new age. Everybody gets high, and that's what it's all about really. Getting high is a lot more real than listening to a politician. You can think that getting high actually did happen - that you danced, and got sweaty, and carried on. It really did happen. I know when it happens. I know it when it happens every time.
The Grand Ole Opry, to a country singer, is what Yankee Stadium is to a baseball player. Broadway to an actor. It's the top of the ladder, the top of the mountain. You don't just play the Opry; you live it.
A friend of mine once told me that I can't screw up when I play my own music. I also take voice lessons, play other peoples' songs out of music books, and occasionally figure out how to play other people's music from records. This keeps my ears, fingers, and mind working
A friend of mine once told me that I can't screw up when I play my own music. I also take voice lessons, play other peoples' songs out of music books, and occasionally figure out how to play other people's music from records. This keeps my ears, fingers, and mind working.
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