A Quote by Charlie Worsham

The single most exciting thing that happened for me was getting to spend some time in the studio with both Marty Stuart and Vince Gill. — © Charlie Worsham
The single most exciting thing that happened for me was getting to spend some time in the studio with both Marty Stuart and Vince Gill.
One thing that used to worry me is the fact that it seemed like Harvard was this big scary thing where I would have to spend all my time studying just to get in. But getting to go to both campuses of Harvard and Oxford and getting to meet some of the professors was absolutely amazing.
I think when you leave a band in any situation that you are a part of.. I mean, when I was with It Bites I was a quarter of something, and when I was with Robert Plant I was a sixth of some- thing and when you leave you become the whole thing. So just after you spend time realizing what you are, and it just happened that I was doing that in my life as well as musically, it kind of happened at the same time. I was getting to a point in my life where I was beginning to realize who I am, and I like me.
It's not an uncommon event for artists and labels to part ways - Patty Loveless, Vince Gill both did - and it often happens for the better.
I think we had kind of a die-hard fan base when it came out, but a lot of the people were angry with Motley for getting rid of Vince, or Vince leaving or whatever happened.
First time I walked out on the Opry stage, Vince Gill was there. He kind of 'daddied' me through the whole thing. My knees were knocking. I walked out there, and I was literally shaking. They say it's the spirits or the ghosts. And out of respect for that whole establishment, I was really really nervous.
Some were getting married; some were getting divorced. People were in different places, but you had enough time on this earth to actually get somewhere, and I think that's the exciting thing about being 36 and in your mid-30s. You've been somewhere, and you're going to go somewhere. It's fun; it's exciting.
I don't see this as Marty [St. Louis] replacing me. I see this as Marty getting the opportunity he deserves.
Some of the most remarkable and profound worship encounters I've experienced have happened in churches with no production, no lighting, no exciting visuals or amplification, sometimes with not even a single musical instrument.
Jail was probably the most exciting thing that's ever happened to me.
I've had a wonderful career and shared the stage with Vince Gill, who was my second love.
It's always a bit risky, when you put yourself out there with somebody in a collaboration, but I think we learn things every single time, and we come out of it with a new perspective on writing because everyone's process is different. Unfortunately we don't always get to spend time in the studio with those artists - oftentimes it's just sending files online. But both can be liberating and productive in their own way. Some of the best collaborations happen when you're all in a room together.
...Being a father is the most exciting, amazing thing that ever happened to me.
I tended to lean towards the guys who both sang and played, such as Ricky Skaggs, Vince Gill, Steve Wariner... And at the other end of the spectrum, I had Eric Clapton in a rock and blues sense, jazz guys such as Tal Farlow and Les Paul... Then Chet Atkins-type stuff.
To me, the main and most exciting thing about photography is to meet people. The picture is the result of what happened between me and them on the set.
To me the most important thing is getting into a studio and making an album that is 12 or 14 amazing songs, getting up onstage, and making people happy by livening the rock.
I had to spend eleven months in the same room with Vince Russo and Vince McMahon, that's where I really got to hate life in general.
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