A Quote by Charlize Theron
I don't want to live in a world where I just kind of play on my naïveté - well if I don't know it, then it doesn't exist.
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I can't imagine myself outside any kind of social or political involvement. Yes, I'm a writer, but I live in this world, and my writing doesn't exist on a separate level. And if people know who I am and read my books, well, good; that way, if I have something more to say, then everyone benefits.
I decided that I want to live the rest of my life happy with what I'm doing. So when I play tennis again, I have to play it for the right reason. I don't want to play to get my No. 1 ranking back. I don't want to play for the attention, or to earn more. I don't even want to play because the world wants to see me do it, even though it's nice to know that the world is interested. I only want to play because I love the game, which is the reason I began to play at age seven in the first place.
That's one of the lucky things about getting the success later on. I know how I want to dress, I know what kind of house I want to live in, I just know more about myself, and that's true about the roles I want to play and what parts of myself I want to express. You're just more in touch with yourself.
I got called and was told, "We'd like you to do The Hobbit", which was my favorite of all of them when I was a kid - "And we want you to play a character that's not in the books", I gulped and hesitated, but then I went, "These guys know this world, and they represent this world so well, that I actually think they've earned the right to have a little play."
Well we usually just try to do a mix from all the albums so if somebody just has one they don't get bummed out that they don't hear anything from that record, then a couple songs you'll only hear live. Just kind of wing it you know? And sometimes on a tour you'll get with a set-list you like and you kind of just stick with that.
If you're going to exude naivete, you can't really... walk out there like it's a Sting show. You can't be that well put together and then have this kind of innocent bravado.
Art was a last, desperate attempt for me to be able to exist in the world after trying very hard not to exist in the world and realizing that it was just my lot to be a person and to live in the world. See, the normal world dissolves in these experiences, and you realize that it is just an illusion. But, inevitably, I just kept landing back in the middle of it.
Sometimes I feel like if you just watch things, just sit still and let the world exist in front of you - sometimes I swear that just for a second time freezes and the world pauses in its tilt. Just for a second. And if you somehow found a way to live in that second, then you would live forever.
I see the experience of pictures as a kind of cycle, a kind of circular motion in which you're in the world, then you enter the picture and you're in a different world (it's not the same as the one you live in, but recognizable as one you might live in). And then you're returned to your world with an enlarged sense of its possibilities.
Oscar Wilde once said that to live is the rarest thing in the world, because most people just exist, and that's all. I don't know if he's right, but I do know that I spend a long time existing, and now, I intend to live.
The words represent ideas first of all. That is something you have to understand. I mean, it is not just an object, but it is an object with a history and it is loaded with all kinds of implications and ideas. They exist in the world in a very special way. So they kind of represent some aspect of the world that we perceive, as do photographs, as do drawings of trees or whatever. And they are not a one to one. They are not the world, but they kind of refer to the world and they also exist in the world.
I want to be the friend you fall hopelessly in love with. The one you take into your arms and into your bed and into the private world you keep trapped in your head. I want to be that kind of friend. The one who will memorize the things you say as well as the shape of your lips when you say them. I want to know every curve, every freckle, every shiver of your body. I want to know where to touch you, I want to know how to touch you. I want to know convince you to design a smile just for me. Yes, I do want to be your friend. I want to be your best friend in the entire world.
I'm guilty of extraordinary naivete, I suppose. But it's a naivete that I really don't want to abandon, not even now.
Well, I really want to encourage a kind of fantasy, a kind of magic. I love the term magic realism, whoever invented it – I do actually like it because it says certain things. It's about expanding how you see the world. I think we live in an age where we're just hammered, hammered to think this is what the world is. Television's saying, everything's saying 'That's the world.' And it's not the world. The world is a million possible things.
If you want to be a rock star or just be famous, then run down the street naked, you'll make the news or something. But if you want music to be your livelihood, then play, play, play and play! And eventually you'll get to where you want to be.
I did a show called 'Freaks and Geeks' when I was very young. And I had the naivete and arrogance of youth. You know, I really assumed that when the show got cancelled, like, oh, it doesn't matter, you just keep rolling, you know. I'm about to be the biggest star of the world. And then I was met with five years of unemployment.
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