A Quote by Charlize Theron
I guess there are very few actors that I've worked with that I would like to work with again. You never think you'll have that chance and, if we didn't do Italian Job together, there wouldn't be another one that could be right.
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I think about work all the time. I was in my bathroom yesterday and thought, 'I could never work again.' I don't have a job lined up right now - what if I never get another one?
I could have easily never worked again after 'Precious.' I could be back at my receptionist job and no one would be surprised, but I'm having a very crazy little career that no one thought would happen. Although that was never the plan.
Very few Italian restaurants in Britain do a good job. They're too scared to show you what real Italian food is like because they think you can't handle it, so they dilute it.
In terms of how I work with actors, having worked so heavily on the script I have a very clear idea of the characters; they are reasonably well illustrated in the script. If you cast it right, to a great degree you can hand it over to the actor and I just make suggestions. I'm not the kind of director who needs or wants to get into too much finessing. Ideally, when you hit the set, you have this conversation, like, 'eh, what did you think?' 'I don't know, what did you think?' 'Why don't we just try it again, make a few physical changes.'
Whooping cough is not a mild disease. Whooping cough, before the vaccination, could make you very, very sick. First of all, there was a chance you could die from it - small chance, not a big chance. You would be coughing and coughing. It wouldn't last for a few days, like a cold.
Why does anyone lie? 'Cause we're scared or crazy, maybe just because we're mean. I guess there's a million reason to lie, and I might've told that many...but none like that. I guess there's always that one lie we never get over. What? Oh, maybe you don't know about it yet. Maybe you never tell a lie so big it can eat away a part of you. But if you ever do...and if you get lucky...you might a chance to set it right. Just one chance to change it. Then it's gone. And it never comes back again.
I think all the actors I've worked with knew that I was an actor. Like, I get into the dirt with my actors and we figure out the rhythm of the scene and how it needs to sound and what the blocking is, the way you would with another actor.
Everyone in show business makes these sweeping, "I'll never work with so-and-so again," because that's the way you feel at the moment. It's a business where there really is no point in ever saying never. There are people I've sworn that I would never go near again, and then you see an interesting role that would put you opposite that person and you think, "Well, we'll work together, maybe they were having a bad year."
I think casting is really important. Finding the right sensibility for the right part is an art in itself. If you're off there, you make it harder on yourself as a director. And it's fun to work that out with the actors. I don't think there's any magic to directing actors. It's very instinctual. Working with actors is really one of my favorite creative moments of the whole process, and the most fun, because it's collaborative. I spend a lot of time rehearsing. I'm very rehearsal-oriented, probably because I have some background in theater. I like knowing what will work beforehand.
I think music can define our lives. It's interesting when we meet our heroes; sometimes they really let us down, and sometimes we realize that they're just other human beings like us, with the same drama and fears and everything else going into their lives. I've worked with lots of people at different stages of their careers - going up, going down. Some people I've worked with I would never want to work with again, and some people would probably say they never want to work with me again. But all in all, it was definitely cool.
With a group of people, a troupe of actors in the theater, you go out on tour, and you're like a traveling circus. It's very sociable, and there's a real community, and it's very intense, and then you may never see them again. That was very appealing. I mean, it wasn't consciously appealing, but I think a lot of actors like that.
If I could have worked from the time I was born until I was 18 and never had to work again, I would have done it.
I've worked with some actors who have such thick skins and think they are so extraordinary. I'll think, 'Have you stopped learning?' They stop listening to directors or other actors and do the same thing again and again.
I always work on the songs all together up until the very end. I never mix a song and think, "Okay, now that one's done." I think that's why it feels like songs are really connected, and I like that. They're all worked on kind of like a little family.
I think a lot of actors, sometimes what happens I think is that actors finish a movie and they go, 'Oh my god, I'm never going to work again,' even big huge actors, and so they'll take something thinking that something else will never come along.
This is the sort of book that justifies fatwahs. If WWIII occurred right now, we could die happy knowing Baxter would never write again. If a dinosaur killing asteroid was headed for Earth and I knew Baxter had another book coming up, I would campaign for letting the rock hit, since it is obviously the work of a benovelent deity trying to save us from another Titan.
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