A Quote by Charlotte Bronte
There is, I am convinced, no picture that conveys in all its dreadfulness, a vision of sorrow, despairing, remediless, supreme. If I could paint such a picture, the canvas would show only a woman looking down at her empty arms.
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No one would want to pay a penny for an empty canvas by me. But it would be quite another if the empty canvas were signed by a great artist. I would be surprised if an empty canvas by Picasso or Matisse signed and inscribed with the words, 'I wanted to paint such and such on this canvas, but did not do so,' would not fetch thousands... After all, with an empty canvas, the possibilities are limitless, and so perhaps is the cash.
He asked himself what is a woman standing on the stairs in the shadow, listening to distant music, a symbol of. If he were a painter he would paint her in that attitude. Her blue felt hat would show off the bronze of her hair against the darkness and the dark panels of her skirt would show off the light ones. Distant Music he would call the picture if he were a painter.
If I was painting a picture, I wouldn't want to take a picture of a single paint stroke. I'd rather show people what it looks like when it's done.
I will be so glad to take the picture and pose and look good for the picture. But when you catch me while I'm looking real sideways and the picture's ugly as hell, I don't want you to have the picture like that!
I would love to photograph Angelina Jolie. A friend of mine is working with her on her next film and told me what I was already suspecting, that she is extremely interesting. I have never seen a picture of her that conveys all of her complexity. That would be a fabulous challenge, to find that in a photograph.
The pictures come to me in my mind, and if to me it is a worthwhile picture I paint it I do over the picture several times in my mind and when I am ready to paint it I have all the details I need.
If you paint a picture and I paint a picture, we each want to do it our own way. And we'll stand or fall on whatever we did.
I don't want, under any circumstances, to see in 'Haaretz' a picture of a woman with a baby in her arms crying while policemen deport her.
If we paint the phases of a riot, the crowd bustling with uplifted fists and the noisy onslaughts of cavalry are translated upon the canvas in sheaves of lines corresponding with all the conflicting forces, following the general laws of violence of the picture... These force-lines must encircle and involve the spectator so that he will in a manner be forced to struggle himself with the persons in the picture.
With a woman I try to photograph her beauty; with a man I try to show his character. Once I photographed a man with a big nose (Jimmy Durante), and emphasized his nose, and he was very pleased with the picture. That could not happen with a woman. The most intelligent woman will reject a portrait if it doesn't flatter her.
I don't see myself as a movie maker only. When I can do a picture, I do. But I don't work like a business, in pictures. I am not obliged to make one picture after the other in order to live. I write books, I write for comic books, I give lectures... I live. And when the opportunity comes to do a picture, I do a picture.
We live in a world of empty spectacle, the world of spectacle rock, songs you can't remember, it's all about the expression of money, power and kind of empty and fascistic. Where technology has changed society, where people are not using their brains as much, not seeing the bigger picture but constantly looking down at the cellphone and not seeing the bigger picture. Today's songwriter need to be on outside, find their own trip if you will and find a way to connect from a place that no one has heard before. It might be taken as weird but that is what makes it unique.
Women are not in love with me but with the picture of me on the screen. I am merely the canvas upon which the women paint their dreams.
Women are not in love with me but with the picture of me on the screen. I am merely the canvas on which women paint their dreams.
I spent a lot of time looking at that picture. Wondering what I’d think of that girl, if I was someone else, seeing how easily she sits in her boyfriend’s lap, laughing, with his arms around her. I would have thought her life was perfect, the way I once thought Cass’s was. It was too easy, I was learning, to just assume things.
I could picture life—school and everything else—continuing on without me. But I could not picture my funeral. Not at all. Mostly because I couldn’t imagine who would attend or what they would say.
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