A Quote by Charlotte Bronte
Too often do reviewers remind us of the mob of Astrologers, Chaldeans, and Soothsayers gathered before 'the writing on the wall' and unable to read the characters or make known the interpretation.
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Loners live among the mob, so the mob mistakes us for its own, presuming and assuming. When the mob gets too close, the truth is revealed. Running or walking away, chased or free, any which way, we tell the mob in effect I don't need you.
Most of my writing is an effort, one way or another, to figure something out about myself, and often when I read dialogue between my characters I recognize it as a discussion between two aspects of my own personality, aspects which are too often at odds.
Are we aware of our obligations to a mob? It is the mob that labor in your fields and serve in your houses - that man your navy, and recruit your army - that have enabled you to defy the world, and can also defy you when neglect and calamity have driven them to despair. You may call the people a mob; but do not forget that a mob too often speaks the sentiments of the people.
I try to make the writing as regular and regimented as possible. I usually get up at around 5 a.m. and read what I wrote the day before. Some of the time, after I read, I think the writing's very good and some of the time I feel embarrassed by what I've written. You have to learn not to pay too much attention to these feelings.
Under true peer-review...a panel of reviewers must accept a study before it can be published in a scientific journal. If the reviewers have objections the author must answer them or change the article to take reviewers' objections into account. Under the IPCC review process, the authors are at liberty to ignore criticisms.
I'll often dream about characters before I start writing their stories.
Since I was there in the very beginning, I know the history of the characters. So, I make comments about the tone and sometimes remind the writers that we've done that before.
I don't read the reviews because they're too horrible and the reviewers have not been big supporters of mine over the years, probably because I make these big populist movies and they hate it.
Sometimes I remind myself of all the things that make me feel so blessed. And then I remind myself to remind myself more often.
All my characters exist in risk, in the places we are either too afraid to go to, or have enough privilege not to have to, but whatever the reason, these characters I fashion go before us and come back transformed for us. For me, at least.
I do not believe writers should read reviews of their own books, and I do not. If one is not careful one is soon writing to please reviewers and not their audience or themselves.
Reviewers try to square the antics of a writer's life with the antics in the fiction. Even satirical verbal play is too often read and admired as autobiographical expression. And thanks to the democratic exposures of the web, it's easier than ever to document private experiences and divulge the most intimate secrets.
I often find myself writing about people taking care of each other, or trying to. And often seem to write about situations that are too big for the characters.
I think the biggest thing that I have to do is to remind people that poetry is there for us to turn to not only to remind us that we're not alone - for example, if we are grieving the loss of someone - but also to help us celebrate our joys. That's why so many people I know who've gotten married will have a poem read at the wedding.
Read. Read every chance you get. Read to keep growing. Read history. Read poetry. Read for pure enjoyment. Read a book called Life on a Little Known Planet. It's about insects. It will make you feel better.
People are too keen to follow standard preconceptions of how organisations should work. All too often, we feel that we are unable to make changes and so hope that someone, somewhere in your organisation knows what we are doing and what the overall aim is.
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